Clear light pastel flowers lines double bottles

• RMB 1840000
• HKD 2162162
• USD 276000
• EUR 202400

refer to:
“the Palace Museum hid ShenDeTang designs of porcelain” the Palace Museum press, August 2014, pp. 220-223, 54.

scape bottle shape of side, out of the four edges. Exposure, neck, shoulder, arc’s belly, fold the bottom, square feet. Mouth along the pastel painting ruyi yuntou grain, lower abdomen act the role of deformation lotus-shaped lines, and the bottle with four strains of flowers, are “osmanthus flower, peony, chrysanthemum, gardenia”. Four flowers each has its unique moral, osmanthus as “expensive”, peony namely splendor, chrysanthemum, take its the meaning of longevity, gardenia is a symbol of fertility. Four flower each has its state, or stand proudly, or natural and graceful beauty, or witty nobleness, or gentle and humble, embodies the drawing skills and aesthetic taste. This bottle of composition rigorous shu lang, elegant light spirit, modelling has a pair, for light kilns were rare. Bottom foot book “qing daoguang years” six alum red seal character.
light two years May 15 office daoguang emperor distributed to the jiujiang shut the commandment: “jiujiang customs into China by color pattern is poor, the letter of jiujiang customs supervision, the later into the kiln chinaware plain coloured the archaize with powder, elder brother kiln, and the blue and white ground, its color with ji red shall not be too bright and colorful designs, the ocean color and drum pattern pieces with no show.” The commandment of emperor daoguang emphasizes porcelain decoration needs to be simple but elegant, not too more, is actually to do since jiaqing overelaborate to rectify the garish fashion of luxury, and recorded and handed down from the back fire category archives material all can the emperor daoguang this commandment really has a great influence, to guide the light of the imperial porcelain decoration style. Therefore, in the qing dynasty palace popular for nearly a century of colour porcelain gradually return to pure and fresh quietly elegant, and have similarities in yongzheng period.