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The Qing qianlong year
take chow bronze pot liquor “He” modelling and widely, informs a tiny, wide neck, shoulder, deep belly, a dc and a crank, and before and after the bearing four pillars; Cover slightly convex, set on a button, modelling fair dignified.
blue and white to act the role ofing, connect body to cover the face, neck, four legs, shoulder week meander separating the main pattern, the abdomen decoration lotus eight auspicious pattern, above the lotus, arrange the density properly, the lining with tactfully, very move feeling.
pattern painting work smooth and natural, blue and white hair color is pure, and USES the qianlong period of popular color “point method” to copy XuanSu linen from the effect of green forever.
the bottom blue book “qing qianlong year six” three lines of the seal character.
He as shing wine and water, popular in shang dynasty to the warring states period.
the qianlong once copy ancient wind rise, both inside and outside all admire qing three generations of the antiquities, among them with porcelain imitation copper for the common law, this is the copy of ancient works of the qianlong period.
the qianlong for gear load: “qianlong three years on April 18th, treasurer Liu Shanjiu, cui always Bai Shixiu eunuch Hu Shijie pay eight auspicious best pot, a xuan kiln porcelain, regards: the Tang Yingzhao this pot style pattern, do a few things, a few pieces and is sent first. Qin here.”
and “qianlong three years June 25 eunuch takadama jiaotong university officer, teapot, xuan kiln porcelain glaze high four feet tall four-legged teapot each one, regards b fire.” Footed pot is He contained here, jiaqing and daoguang both the fire as the universiade porcelain variety, follow the daoguang emperor qing daoguang period frugal governance thought, the order to stop the fire “matter of no great urgency” of 16 kinds of circular cut porcelain, such as one of them, so this kind of shape of qianlong, jiaqing and daoguang dynasties imperial porcelain is only fire, other dynasties of sight, is all the more precious.
[see] (1) the qing Kang Yonggan coating “, the Palace Museum, Taipei 1986, page 101, figure 71
2. “the qing dynasty imperial porcelain”, nanjing museum, 2013, pp. 175
3. “the Tibet museum the Ming and qing dynasties porcelain products,” the Tibet museum, 2004, pp. 117-116
(4) the Chinese qing dynasty imperial porcelain, Shanghai culture press, 2003, pp. 296
5. The floor day people show of blue and white porcelain, hon jubilee art gallery, 1992, p. 212 |
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