Qing qianlong Blue and white tie up lotus flower medallion YunLongWen copper ewer

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Christie’s of London on July 12, 2005, no. 169

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this pot body apricot round medallion, act the role of dragon pattern on the strong and brave, medallion arch, more stereo feeling, the emperor taste reflect the 18th century. Positive since the yongzheng years popular auspicious dragon grain, because the relationship of power, also favored by the qianlong emperor.
the product shape and decorative pattern, take inspiration from classic, display the qing emperors for GuZhuiYuan of love. Artisans in transition, product glaze technique point, act the role of grain with blue and white crystal shading effect of the 15th century; Pot body flat, medallion arch, inspire the base since the Ming dynasty, and the latter Jin Shuqi take inspiration from the Middle East.

this is rare, and only what cases of comparable; Hill, haim in Germany at emory ‘s museum, even the the original porcelain cover and pot of ear, recorded in Ulrich Wiesner, the Chinesisches Porzellan “, mainz, in 1981, possesses the 70; Another pair of cases in sotheby’s Hong Kong on May 1, 2001, no. 537. Istanbul Topkapi palace Museum collection, from the royal collection, the Ottoman pot of ear for a lost Yu Kangrui jun, the Chinese Ceramics in the Topkapi Saray Museum, Istanbul “, London, 1986, volume 3, 2566 chart.

this pot with copper, cover grain meticulous, line is well-developed cooperate ewer, the collection or who belong to the Middle East. Compare three of board date pot of late Ming dynasty, a pot of pterosaurs, lines, and the rest of the ACTS the role of flowers Yu Kangrui jun, the Chinese Ceramics in the Topkapi Saray Museum, Istanbul “, London, 1986, vol. 2, chart, 1017-1019.