Qing yongzheng flower grain to offer them a cup of the color red

• RMB 2578300
• HKD 2950000
• USD 377600
• EUR 295000

see: Yu Peijin “sung-wook Kim mirror”, the national palace press, pp. 338

note: according to Liao Baoxiu in “the elegant richly – Taipei Palace Museum porcelain” (hereinafter referred to as the “porcelain”) in the study: porcelain body ocean color and porcelain body painting enamel implement most of the furnishings and collection in dry and yangxin qing temple, the other little except the old Summer Palace furnishings of the palace. Porcelain body colored enamel ware, decorated with “the flower” is the most popular, and in the flowers to the chrysanthemum and the most common. The grade of the yongzheng emperor extremely elegant, oneself also occasionally make western dress up appear in the moment diagram, so the colored enamel ware one small part of yongzheng dynasty also continued the painting style of the flower. And yongzheng, qianlong emperor in the production of the colored enamel ware is a large number of introducing western elements, then the flower, the lotus, chrysanthemum, the vines have appeared in the colored enamel implement grain of composition of a picture. Qing yongzheng and qianlong dynasties du tao officer Tang Yingceng this statement: “the color vessels, this the new imitated western enamel painting, round cut Bai Qi, color painting, imitating the western, therefore, yue ocean color. Figures, landscapes, flowers, fine feathers all into god, with enamel color pigment used.” The close relation with enamel porcelain body painting. Qing dynasty palace archives “work file” painting enamel porcelain body ocean color and porcelain body at the same time as “dry enamel ware qing”, “porcelain body ocean color and display file” porcelain body painted enamel under classified as “qianlong porcelain body” at the same time, this also illustrates the two relations closely. The museum scholars think, according to the archives and physical, du tao in the qing dynasty officer “the color” b said must meet the requirements of the four: use western tone light decoration design, mainly light cone object; Flowers with white material apply colours to a drawing mostly on the leaf veins, show the branches and leaves of light and shade, and the painting method almost never informs on the porcelain body painting enamel; Character grain obviously adopted the western light and shadow perspective technique; nullnullnullnullnullnull

Like (0)

lostcat

0

生成分享图片 扫码分享到微信

The southern song dynasty qing magnetic three-legged incense burner

« Previous February 23, 2019 3:27 am

Qing yongzheng blue-and-white youligong live lines okho spring bottle

Next » February 23, 2019 3:28 am

相关推荐

• The tang dynasty Three-color conference semifinals to ride like a candle
• In the late Ming dehua kiln white porcelain basket guanyin stands resemble
• The qing emperor kangxi Blue and white flowers melon leng vase
• The song kiln carved Pisces tray
• Qing guangxu powder enamel pen container (2)
• Qing guangxu enamel butterfly tattoo design
• Qing qianlong Blue and white magnolia flower small cup
• Ming or earlier Sharply glaze fullness
• Song white glazed bowl (three)
• The song dynasty jizhou kiln White glazed dish mei bottles of coloured drawing or pattern
• The qing emperor kangxi Blue and white ice plum medallion kirin cans
• Early stage Painted pottery female renowned figures
• Song mei yao state kiln bottles
• Clear pastel happy character pen container
• The qing emperor kangxi Colorful branch group pattern the flask
• In the Ming dynasty (1368 ~ 1644) celadon landscape grain square bowl (five pieces a set)
• Ming wanli Sharply glaze bowls
• Qing 18/powder enamel in the 19th century paint amitayus cave (a)
• Square bottle qianlong pastel landscape characters
• The song dynasty Your kiln azure glaze flower bowl