Qing qianlong in powder rolling way pastel bound branch lotus tower sweet grain and small candlestick (a)

• RMB 713000
• HKD 849821
• USD 106950
• EUR 78430

this product is divided into three period of fire, base on circular dome type, for its circular Taiwan wax, the most for lamps, overall modelling complex, high forming, joining together the difficulty. Candlestick for pink, on the match with pastel painting bound branch lotus patterns, its fine of lotus petals, hua xie Yang, curvy, meantime foil in the Buddhism, neat layout, numerous and not random, considerable capability. Again cast rolling around the famille rose decorative way rake flower technique, thus make the whole unit grain appears impenetrable, extremely use up seiko. Both sides of middle Taiwan wax box alum red book “qing qianlong year” six line of seal character.
candlestick which is also called wax Qian, as one of five for, its use is the result of Indian Buddhism offered light bright, is both a temple of lighting appliance, also plays a role of worship. Buddhism believes that, the Buddha in the stupa, books before burning lamp, can protect large qualities; And because light Ming can break the darkness, Buddhism is the comparison of light Ming dharma and wisdom, yu with wisdom as ignorance.
in the qing dynasty qianlong period, imperial advocation of Tibetan Buddhism, so for candlestick in qianlong and jiaqing five dynasties fire peak, the number is more, but among them such as the work of the candlestick is extremely rare and rare. First of all, this product is a similar shape candlestick in the smallest size, the number is better than other size candlestick rare; Secondly, this product in pink, very rare, it also to rake flower rolling technique, also seldom apply on the candlestick. So such small size candlestick, the class must be higher than other similar device.
this the candlestick pastel color is gorgeous, color is harmonious, fine decorative paint, have stereo feeling extremely, the late qianlong overelaborate luxury artistic charm of the full performance, represents the highest form of qianlong period pastel fire. In addition this product is derived from the Japanese original collectors, release the cache for decades. Very nice. Nanjing museum and Shanghai museum are in possession of the same with the product size, modelling, but not rolling process of similar works, can be together.

refer to: the Shanghai museum collection of series of research, the qing dynasty yongzheng, xuantong kuan “, lili zhou, Shanghai people’s publishing house, 2014, p. 371, figure 3 ~ 153
the palace treasures, the qing dynasty imperial porcelain of China, nanjing museum, Xu Hu editor, Shanghai culture press, 2003, pp. 374

source: Japan private old Tibet