Ming jiajing Blue and white fu lu shou big cans
lots of informationThe
| – | size | 34 cm high | |
|---|---|---|---|
| work classification | s | jiajing | |
| value | RMB 1200000-2200000 | ||
| price |
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| daming grumman ancient | 2015-06-07 | ||
| Beijing poly real international auction co., LTD. | auction | Beijing poly real 2015 spring sale | |
| Publishing: the royal reward up Jane – sui imperial porcelain collection “, in May 2015, pp. 040 | |||
| description | Note: 1. The Nagoya tokugawa family old.tibet; 2. Beijing poly, 2009 autumn, Lot2098 exhibition: “royal reward up Jane – sui imperial porcelain collection”, Beijing time museum, in May 2015, modelling and gentle. Lips mouth, short neck, abundant shoulder, arc, belly in wall form the bottom of the sand. Outer wall painted with blue and white shochiku mei poetic age, hair color bright beautiful, vivid image, the trunk in front of them entangled narimatsu respectively “shou”, bamboo and plum “Paul” three characters “fu”, have originality alone with. Outsole department “da Ming jiajing year six second line of blue and white” regular script. The well-made. Appearance beautiful, for the rare Ming jiajing government kiln products. This grain both live corning good moral, and unique performance art and culture of the jiajing period Taoism kingship. Taoist thought system, in the development of literati paintings have played an important role. Taoism, Taoist aesthetic thoughts has beyond the beauty of external form, the pursuit of the tao within to the tradition of beauty. The daodejing think “great music sound, elephant invisible”, this is Chinese aesthetics pays attention to the implication and rhyme of said’s theory of artistic conception and lasting appeal of theoretical basis. In zhuang zi, on the holy spirit show personality free natural and unrestrained and pure beauty of the natural disposition, this clever runaway, subjective affection aesthetic greatly expand the art spirit of Chinese aesthetics, quality and level, has a great influence on the literati paintings. Since the end of the tang dynasty and five dynasties developed within the educational sexology says, the integration of zen and Dan, is to the spirit of zhuang zi’s Taoism reset, compared with Dan and operators of more introverted nature of spiritual pursuit and literary breath, represented by quanzhen daoism, development to flourish in the yuan dynasty. “The only spirit is the true”, the beauty of spiritual freedom and awareness of tao, “meaning” is deep learning Taoism potential psychological structure of literati painters. Handed down from Ming dynasty porcelain watching some shape tall, should belong to the category of this batch of porcelain of the sacrifice, such as dragon cylinder, big cans, jars, big bottle, soup bowl, plate, etc. There are also some imitation bronze ritual vessels, such as the goblet, beans, pot, pot, furnace, etc. All kinds of porcelain are often made into eight square, hexagonal, square, rectangular, square bucket shape, etc., such as colorful characters committee Angle box, colorful life of word bucket cup, eight prismatic bottle gourd, eight prismatic straight mouth bottle, long way to eight prismatic box, box, square lid tank, etc., they may do the dojo or sacrifice of specialized vessels. Museum of Beijing the imperial palace in possession of a Ming wanli Blue and white live corning bowl, abdominal grain similar with this product, is the national Palace Museum hidden treasures series – blue and white youligong in “, Shanghai science and technology publishing house, 2000, pp. 229, 209. |
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the source:https://auction.artron.net/paimai-art5072158168/
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lostcat
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