Tang tao add horse (a)

• did not provide a

the attached inspection report number Oxford thermoluminescence dating C101d7, February 26, 2001, conforms to the confirmed s (one)

to ma hong tao argillaceous, whole body white glaze, partial to red color. Glazed for long time, coloured drawing or pattern, show the wind of of primitive simplicity. A powerful limbs, upright on the rectangular panel. Horse face muscles all show, the double eyebrow tall, triangular eyes, eyes wide open, shape biaofei ma, considerable Ma Zhifeng Han Gan paintings. The body with black and brown color depicting the saddle, bridle, shape the delicate details; Another horse right forelimbs raised, the remaining three feet on the surface, low first. Ears straight shaft, mouth small chang loo teeth, face shape is exquisite, extraordinary. The installation of the removable saddle back, clever design, refreshing.

China’s territory since the qin and han dynasties, greatly expanding Ma Cheng as important means of transportation and conquering force, to the tang dynasty, national prosperity, with many exchanges between countries, since the name of the western regions to introduce many tall YingJian horse. Horse transportation and use of the war, in addition to do in normal times is also a fashionable sport tools, very close with people and have many more on the subject of the artwork, now shaanxi history museum classifying <> Damascus coloured drawing or pattern and tang tang , similar to this theme, the overall momentum, antique quality, exquisite detail score, manifests the great realistic skill, for reference.

artistic performance reflects the social life in tang dynasty, to pursue bold and vigorous and energetic style, at the same time to TaoMa is the vivid embodiment. Double horse posture, proportion of realism, heavy body, chest and abdominal flesh firmness, hips, smooth hooves are strong, line ahead, their facial expressions, clever, expression, vivid, outstanding is the development of Chinese ancient pottery craft art crystallization.