lots informationThe
| – | size | sizes | |
|---|---|---|---|
| work classification | the yuan dynasty before ceramic | s | no |
| value | HKD 3200000-3200000 | ||
| price |
|
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| blessed are special, antique treasures | 2018-10-19 | ||
| Hong Kong view restoring international auction co., LTD. | auction | Hong Kong in 2018 large-scale cultural relics auction | |
| description | Left kiln, located in the southeast also left the village, is China’s major in song and yuan dynasties porcelain making biggest, continuation of prime period the longest, the production of porcelain is the most famous ancient kilns. Left kiln begins to burn in the five dynasties, flourished in the song dynasty, the decline in the Ming dynasty, over 700 years. “Tao”, “NaYao notes”, “jingdezhen TaoLu”, etc. There is a record of ancient documents are left kiln. When five generations left kiln mainly fire grey celadon and white porcelain, celadon and tang, five dynasties, the kiln porcelain on the embryo glaze is extremely similar, belongs to the imitation of the device. Celadon most tire color grey brown; Texture coarse loose; Glaze color dark bluish grey, with a few items for aoi and the lining of the mouth muscle, no other grain. White porcelain is TaiZhi density, excellent penetrability, color white. Due to adopt the method of stack with the burn, implements the insole and the plantar often leaves the oval with the mark. Simple shape are bowl, plate, pot, etc. Bowl, plate lip or mouth, big foot diameter, Pot of long neck bell, the melon leng shape abdomen slender. Less for its more or cream-colored color, variety, shape stocky massiness, modelling is simple. In the song dynasty, in the middle of the left kiln is famous for its potteries such as ice jady green white porcelain. Because of its China clay is washed white, reason can burn out “green such as day, bright as a mirror, as thin as paper, sound like qing” of China, is the leading producer of shadow song dynasty celadon, all products in the jingdezhen kiln. in mid and late northern song dynasty under the influence of the kiln, and begin to use ceramic resintering box, different sizes of more objects can be a box after burn, the mans mouth. Due to cover burn method is used to improve the yield and quality was improved and therefore is called “south”. At this time of the porcelain TaiZhi thin and delicate, dense white; Enamel high transparency, strong luster, jade, brush more glaze, the glaze jade-like stone embellish green, green in white, green, white, approximate glass transparent, deposition in the lake green glaze, the above features greatly satisfy the literati and aesthetic needs of the society. The main varieties are; Bowl, plate, cans, plates, POTS, bottles, furnace, saucer, incense, note bowl, box, porcelain carving and mans mouth, etc. Rich decorative themes, hand-cut, common patterns are peony, grate, FeiFeng, LianHe, water ripple. In the southern song dynasty; Left dominated by a shadow celadon kiln fire, early on the variety, shape the same as the late northern song dynasty, decorative mainly adopts grate HuaFa, grate stroke skilled, smooth. Characterization of theme is extensive, the composition is concentrated in the bottom of the bowl dish and walls. Main decorative plants and animal, such as peony, LianHe, child climbing flower, water ripple, etc. Glaze gloss transparency only inferior to the late northern song dynasty. Trend overelaborate middle-late main popular printing device, composition, level more, stories and characters. Implements modelling is rich and colorful, in addition to the daily ware bowl, plate, disc and; Lamp, note bowl, bottle, furnace, smoked, etc., especially the porcelain pillow modelling is rich, forms, such as tiger pillow, dragon-shaped pillow, lotus leaf pillow, pillow, pillow, the baby pillow, etc. Shadow green China doing all fine, its texture like green jade, shape beauty, decoration art is one-step qingyun, especially hand-cut, scratching technique. Doll, lotus, water ripple, etc., the composition is full, line is fluent, is permeated with full-bodied life breath. Thick line vertically down carved a knife, and then along the diagonal carving knife. It was reminiscent of the han dynasty jade carving of the “han eight knife” process. Craftsman, as required by composition, indentation depth, slash cant slope, width and so on are abound change. Every line up, obviously, just like the Chinese calligraphy, the press, meal, si. Fine line width change with depth, flower, leaf, water wave, dolls and other range profile. Smooth, a rhythm beauty. Line up, cohesion, accurate and natural. Left kiln in ancient times there is a “false jade” the laudatory name, the name when shadow celadon had, as the demand of the market. In recent years, left kiln porcelain salesroom is value rose, for implements fine be many collectors for treasures. 2015 salesroom, left kiln green craft acerbity tire “sleeping boy” is sold RMB 1, 150000 yuan. the shadow on the left kiln green glaze and maidens, modelling is vivid, lovely, contour line draw the outline of the doll, a few knife head generally full figure making, lively creatures, natural and interesting. Glazing hypertrophy, the tea-house glaze mingche li jie, TaiZhi nut to be bored with white, colour and lustre is a jade, integrated multiple blue glaze. Tire body lightsome hard, smooth lines, began after lubrication crisp knock is ringing pleasing to the ear, is in the left blue white porcelain kiln treasures. On the subject of it, and maidens pair, just add up to Jennifer, good moral, a prosperous, many children happy meaning, historically, up to the palace noble, down to ordinary people, see the subject would like to, can’t.” |
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source:https://auction.artron.net/paimai-art5134700260/
原创文章，作者：lostcat，如若转载，请注明出处：http://culture.ceramicsj.com/2019/01/29/jennifer/
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