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Bottle mouth slightly left, long neck inclined shoulder, round hanging drum abdomen, the abdomen gradually, under the micro ring foot, shaped like a water chestnut, the ancients of “water chestnut stool”, to kangxi dynasty new bottle shape, yongzheng and qianlong kiln have fire. Connect body to blue and white to act the role ofing, mike sheron layout, mouth tallied, ring foot week ruyi yuntou lines, and echo, shins, act the role of deformation lotus-shaped lines. Body paint cloud bat, bat roaring among the clouds, composed, different forms, xiangyun &, auspicious bats salty set, meaning thousand xiangyun sets, blessings to. Neck is symmetrical double longnu ears, head high, strength and size is S form, curly tail, light on bottle shoulder, has a very dynamic and imposing manner. Bottom left “qing qianlong year” six the seal character, calligraphy scouring. Original silver-inlaid wooden engraved look decorative pattern, old old box.
bearing GuNaXin – blue and white cloud bat wen qing qianlong vase with a double therefore
the bottle shape is unique, for the early qianlong b (1682-1756), President of jingdezhen imperial kiln du tao officer during work, review a private collection at home and abroad, as did not see the same description, or the isolated cases of qianlong imperial kiln.
b youth office office YuanWaiLang, get a good view of the royal collection, so the good guide antiquities collection, and multiple whim odd, ancient craftsmanship insolently, qianlong succession, down’s successor du tao officer, often system of new China, to cater to the qianlong novelty of preferences, and then the qianlong once artisans, especially good at mix different art element, to create new, in the same shape and decorative pattern is common in his article, but with the recent cases of a few do not have to.
Shanghai museum has a pair of blue and white alum red bats wen qing qianlong water bottle (see “Shanghai museum collection research series – qing dynasty yongzheng – xuantong kuan”, page 175, the figure 3-37), layout and lots of similar bottle shape and decorative pattern, for reference. Is different from the general water chestnut bottle, the bottle in the neck is symmetrical double longnu ears, head high, strength and size is S form, curly tail, light on bottle shoulder, is full of vigour and dynamic, muscles and body strong, bold and powerful.
with lots bottle case, did not see the other handed down, ear longnu similar, with the Shanghai museum qing qianlong blue-and-white shou airdropping figure therefore ear flat bottle (see “Shanghai museum collection research series – qing dynasty yongzheng – xuantong kuan”, page 70, the figure 3-39). Museum of Beijing the imperial palace old qing qing qianlong bucket color trace golden bats tattooed dragon ear cover bottle, see the Palace Museum hid treasures series – color, the color “, pp. 280, 256; Japanese jing jia tong hid qing qianlong color eight auspicious tang grass grain dragon ears, see the static jia tong hidden beauty in the qing dynasty ceramics – jingdezhen kilns “, page 70, the figure of 60; And sotheby’s Hong Kong autumn auction in October 2009, 8 no. 1609, the qing emperor qianlong powder to pastel blue “is the flourishing of descendants of the” gold double figure therefore ears mouth bottle.
and ear as three-dimensional modelling longnu capuchin, the bottle also draw ACTS the role of the same subject matter is handed down, reference sotheby’s Hong Kong on April 8, 2010 spring auction number 1857, the qing emperor qianlong malachite green to enamel paint cloud bat “and” good fortune figure double longnu ear big bottle; Another see Shanghai museum qing qianlong vase with a blue and white carmine color live lines longnu, (see the Shanghai museum collection research series – qing dynasty yongzheng – xuantong kuan “, page 98, FIG. 3-61).
throughout the longnu ears, on which items and Po two cases, Beijing’s Palace Museum collection and Japanese contemplation hall collection are blue and white six-character seal character inscriptions, auction two cases for the gold seal character inscriptions, compare the first five pieces that inscription writing style, the same shall be from the hand of a person. In museum collections are the same as the inscription writing way of work, such as the nanjing museum collections in two, one for the qing qianlong blue honeysuckle line penetration ears around branches, the other for the qing qianlong powder blue eagle pastel medallion color ink royal sense lines litter bottle, (see “palace treasures – the Chinese qing dynasty imperial porcelain”, 240; Page 313). According to the nanjing museum mentioned in the paper, the former for three years for jingdezhen imperial qing qianlong which implements, the latter’s prime time for the early qianlong, by b overseers to burn himself. Qianlong twelve years, “each made do work clear file” record: “on May 21, the treasurer Bai Shixiu dunning for total of child eunuch Hu Shijie for:… a blue and white ground double therefore bottle…, recognize such as regards, each one match, qin here. On December 20, seven product chief SaMu ha will be blue and white ground double therefore bottle a worthy wooden hold into the eunuch Hu Shijie, into the specimen.” Or for items for listing on the similar records, to sum up, this type of bottle of prime time should be known items no later than 12 years of qianlong.
the qing emperor “good old”, ancient bronze ware is often engraved look, heap or earrings, are often absorb inheritance for the qing dynasty porcelain on the ears. Longnu ears, the common decoration pattern was bronze wares, the qing dynasty imperial imperial porcelain on popular adornment longnu ears, be like with the qing dynasty made copper foetus enamel implement very deep origin. Emperor kangxi attaches great importance to the copper foetus enamel ware production, and actively create the colored enamel porcelain, gold-plated copper fetus enamels have been influenced and engraved look process of porcelain production, and copper foetus enamels for longnu ear often act the role ofing, may also affect the qing dynasty porcelain to longnu ears as decoration. Such as the Palace Museum in Beijing to hide clear sea grain early wire inlay enamel therefore ear wash (see the Palace Museum collection series – enamels make up 2 – “qing wire inlay enamel, pp. 148-149, 111), the modelling of a wash of longnu ear capuchin and decoration style and ronal items; Another old Tibetan mid qing qing dynasty Palace Museum of Beijing the imperial palace carved lacquerware character figure girder box (see the Palace Museum hidden treasures series – qing dynasty lacquer “, page 67, the figure 44), on both sides of the box body ACTS the role of the same style of copper and gold double longnu ear, for reference. This in different shape with identical patterns or the change of the ear, to constantly produce new visual effect, is the emperor qianlong GongTingHua Ru richly decorated style of a kind of expression.
in the late Ming dynasty in the imperial kiln chinaware is the capuchin head of longnu round ears, such as the Palace Museum in Taipei to hide the wanli blue and white peony beast ear flack, (see the bottle basin elegance – flower implement show in the Ming and qing dynasties, pp. 182-183, the figure II – 26), and two cases of early works, one is for Beijing’s Palace Museum kangxi with tomato skin purple glaze therefore ears, the other for the Palace Museum in Beijing yongzheng designs of blue and white tie up branch lotus flower, (see the Palace Museum a “hidden in the qing dynasty imperial kiln porcelain volume, pp. 148-149, the figure 40; Pp. 398-399, 398); In the qing qianlong period of the k ‘o-ssu rich ancient books and a scroll of modelling also appear this kind of longnu ears (see “bottle basin elegance – flower implement show in the Ming and qing dynasties”, page 183), visible inheritance.
the qianlong once, CiYi diligence, du tao guan b do heart failure and archaize opened today, will be more good modelling with style, in order to infinite changes, so as to create new. Items from the qianlong imperial kiln porcelain modelling of dignified and elegant form, at the same time add symbol Wang Quanzhi dragon ear as worthy, GuNaXin, reveal the royal demeanor. Blue and white hair color is pure, bright and beautiful cobalt blue material deft, moire in use of blue and white hair color depth change, build three-dimensional texture, therefore the dragon ear body complex halftone, quasi in Ming dynasty, better life. This bottle of whole bearing yongzheng essence of blue and white porcelain, but also in the wake of the eighteenth century fashion, meticulous detail place, but do not break clever message, complete handed down from ancient times. Old wood, box of old, very rare.
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