Qing qianlong Blue and white tie up lotus flower grain double therefore ear

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straight mouth slightly open, short neck, decorated double variation therefore, dragon-shaped ears hang round drum abdomen, ring foot, tire body, heavy line is full, the shape of atmospheric majesty. Connect body based on blue and white paint, hair colors bright-coloured dripping wet, mouth tallied, part of the act the role ofing meander neck, and nested ruyi cloud group long-lived word, foot shins, decorative lotus-shaped grain, volume grass grain, grain fine, compact layout, abdominal body tong tie up paint with triple lotus flower, flowers gigantic, branches and leaves turn graceful, pattern is numerous and not random, extremely rich administrative levels feels. Bottom left “qing qianlong year” six three lines of the seal character.

grain of lotus flower grain for the qing dynasty is the most common themes, such as plate, bowl, design a variety of shape, drawn in blue and white lotus, take its homophonic “clean”, aimed at warning dynasty minister officer should be as qing lotus, at the same time as the implements of the subject and is often the emperor for active subjects. Deer head shape of pioneering Yu Kangxi dynasty, yongzheng period also have fired, because like a deer head shape or cow named first, therefore, also known as “cow”. The qianlong emperor of large objects, so the deer head and is very popular in the qianlong period, such as blue, pastel and single glaze varieties, the blue and white painting bound branches more lotus lines, therefore, also known as “clean”, many generations of generic, but the embryo glaze and painters quality qianlong device far. Qing qianlong era, is the height of the qing dynasty feudal society development, porcelain production has achieved unprecedented prosperity, blue and white porcelain also reached the highest level. Book of ancient bronze test is praised the porcelain “has since tao, not the beauty of today”. Chinese who lived ancient jun porcelain set, has made so many exquisite porcelain, kiln, remarkable achievements not only private kilns also flourish. At this point, the large scale of jingdezhen imperial plant, under the management of du tao officer, fire all kinds of porcelain are hundreds of thousands of more than a year, into the palace, burn-out porcelain craft skills and decorative arts have reached the perfect level, the point of magic. Of the qing dynasty, xu scale in the water the flow zhai said porcelain describe porcelain “weapon to qianlong, delicacy to, a few in”. Qianlong imperial porcelain decoration style and exquisite, the format of the palace painting and literati paintings. Grain rich in content and theme is extensive, mainly plant flowers and plants is given priority to, richly brilliance, meticulous workmanship. Every ware has multilayer design adornment, some as many as dozens of layers. Both in freehand brushwork and deformation, painters in neat formation is exquisite, clear grain, neatly, have the effect of the design drawing. This device modelling respect, blue and white color, more fine painters, kiln amplifier is the qianlong period of standard work.

with type is restricted to large museums or private collections. See Shanghai museum, recorded in “Mr Hu Huichun, ms Wang Huayun donation porcelain fine anthology, the Shanghai museum, 1989, pp. 97, 62. Shenyang imperial Palace Museum collection, recorded in the shenyang Palace Museum courtyard cultural essence porcelain (on) “, page 7, the chart 3; And Shanghai dragon art collection, description in the world of ChengQing, dragon art museum, the first 265 pages, chart III – 3-10.