Qing yongzheng imperial kiln imitated yongle blue and white peony grains fold along the grail

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refer to:

the China national museum of cultural relics research series porcelain volume in the Ming dynasty “, Shanghai ancient books publishing house, in July 2007, the figure 17.

exposure to fold along the arc belly ring foot, fine sand bottom. TaiZhi close, enamel smooth. Wall painting bound lotus flower, heart draw two fold the peony, peony, wide spreading, peony composition and chic, flowers and leaves. Outer wall is acted the role of a week lotus flower pattern. Regardless of the shape, decorative style, the style of painting are imitation wing instrument, painters delicate, fluent, art of composition rules, orderly layout.
the disk copy of the Ming dynasty yongle blue products, so the bottom of the sand is not dated. So the market size is bigger, so high to the requirement of fire craft, a slight error, easy to deformation. Yongzheng once more power device, whether it is a single color glaze, blue and white and color porcelain has the fire, from the Ming to the generations of the late Ming dynasty imperial wares are fake, and a beautiful person like the original, more difficult to recognize, this also is a masterpiece. Mosaic of illustration, iron rust stain the simulation, the layout of the shape and decorative pattern design of similar works very approximate and yongle period, has the yongzheng dynasty kiln imitation porcelain typical yong xuan. National museum have similar collections, modelling, decorative design, size and the product is very close to, 06 autumn shoot Lot2194 yongzheng period of Chinese blue and white peony grain market, four hundred and forty thousand, clinch a deal valence to refer to.