Qing yongzheng Blue and white tie up flower tray

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tiny mouth, shallow arc abdomen, flat, short ring foot. Full-bodied white glaze, glaze moist, exquisite smooth. Three layers (blue and white grain, mouth along the ring volume grass grain, wall painting bound branch lotus lines for a week, the central for five lotus constitutes the theme of the design, soft branches took hold, stretches the smooth, rich Mosaic changes, forms and looked. Outer wall also have three layers of blue and white grain, mouth fringe meander, main grain to tie up branch lotus lines, nearly continuous volume grass grain to ascend. Isometric drawing inside and outside the wall ACTS the role of wind flower pattern, the composition is full, wrapped branch inside blossom flowers, beautiful. Blue and white double circle at the bottom of the book “the qing yongzheng year” double row six regular script, font neat beauty.

wind flower pattern is one of the commonly used porcelain decoration pattern. On plant stems or vines as skeleton, to the top and bottom, left and right repeatedly to form two side or four consecutive serial design, change its much appearance, beautiful and vivid. Because of its continuous structure, with a circle of life, meaning auspicious, as one of the most important decoration pattern during the Ming and qing dynasties porcelain craft. Beijing today art museum classifying Ming xuande , the layout is very similar with this shape and decorative pattern, for reference.

yongzheng follow do power coating, as a way of showing glorious history. Famous imperial kilns in du tao officer under the leadership of b, demanding of porcelain making technology, “type of ancient and modern, remit to new, for storage and clever” take two ancient jun song and Ming dynasty kiln coating for example, tries to fire out of the same level. Now have, not directly copy the young power, but in the aesthetic standards, reinterpret ancient shape and texture. The matter in the blue and white flower tray around branches in shape and texture are in accordance with the yongzheng taste slightly adjusted, painted decoration of tangled branches decorative pattern, distribution more brilliance, details is more delicate, to display the grace of yongzheng made porcelain has always been. Fine careful on each flower is shading depth and deliberate transition, dark spots, with Sue linen from the romantic charm of qing Ming. Overall modelling neat, glaze were height, caresses of fat such as jade, color elegant, bright and beautiful Yu Qingxiu, revealed the wind of of primitive simplicity is bold, yongzheng similar device in the masterpiece of masterpieces. Literature reference

Ming xuande blue and white tie up lotus flower pattern plate> <, classifying, Beijing art museum in the China ceramics complete 12 - Ming (on) "splendid publishing business, 2001, pp. 91, chart 79
the qing yongzheng made similar works , auction at Christie’s in Hong Kong on November 28, 2012, no. 2241, clinch a deal valence HKD 860000
the qing yongzheng flower disc>