Ming xuande ji red glaze exposure

• auction

source
Francis Brodie Lodge couple collection
sotheby’s in London on March 14, 1972, no. 147

exhibition “Monochrome Porcelain of the Ming and Manchu Dynasties”, Oriental ceramic institute, London, 1948, no. 129

related information of this product with ShiJi red glaze, colour and lustre is charming red is about to drip. Monochrome copper red glaze into two in yong xuan, but according to the jingdezhen imperial kiln site can see a large number of abandoned broken porcelain pieces judgment, then even if via royal CiYi of highly skilled artisan Lord burn, superior to system so beautiful, is not easy. Hence jintong, copper red pigment few deprecated, until kangxi once again revival, compared wei yong xuan, still slightly smaller.

the yuan dynasty, jingdezhen which beginning with copper glaze ingredients, until the hongwu period constantly try to burn. Conducting international craftsmen improved glaze and firing conditions and kiln temperature adjusting until the yongle, copper red glaze beauty apparatus before beginning, jiao red color is gorgeous. However, wushu, says professor of jingdezhen xuan kiln copper red porcelain is the most of Chinese copper red glaze porcelain (the Chinese Glazes. Their Origins, Chemistry and Recreation “, London, 1999, pp. 178). Imperial kiln site heap yong xuan formation is of poor quality of the copper red glaze residual fragment, but the existing two handed down toward the for example is rare. Yong XuanChao copper red glaze residual cases and visible the jingdezhen imperial kiln porcelain of Ming dynasty unearthed, Beijing, 2009, no. 18 to 30 and 44-9, otherwise debris accumulation by illustrations, with the source, on page 14, figure 9 and 10. Two jintong of copper red glaze residual set example, under the glaze blue book model, one in glaze color deep red and bright, and the mouth along the wide margins thin; nullnullnullnullnullnull

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