Qing qianlong Blue and white lotus flower design

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xu exhibition hall in sight of “hill” old Tibet.

refer to: “the Palace Museum in an ancient ceramics data volume 2, page 203, the figure 179
the Shanghai museum collection research department: qing dynasty yongzheng – xuantong kuan”, page 254, figure 4-10

design for qing dynasty palace kiln traditional varieties, since the yongzheng handed have fire. Mouth, long neck, round abdomen, ring foot, and mouth painted eye water lines, the ruyi yuntou lines, in lines around the time a week, back to tattoo under wind lotus flower pattern on the shoulder, even under the best cloud s lines, abdomen act the role ofing put lotus flower full of grain, to close at the foot lotus-shaped lines, ring foot ACTS the role of volume grass grain, the bottom “qing qianlong year” blue and white seal character. This kind of design in the qing dynasty also called “blue and white line CV 18 spring bottle”. Deng Zhicheng roc scholars in the “antiques, sequel, volume 2” in the book “jiujiang useless in guangxu 26 universiade and distinguishes the chinaware reimbursement list four” wherein blue line CV 18 spring bottle of this device, the average cost for each piece of the 224 silver. This device modelling is exquisite, glaze jade-like stone embellish, blue and white hair color stability of refined, smooth painting, suffers from official.