Qianlong blue-and-white youligong seawater YunLongWen on bottles

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source: Christie’s London, 18 June 2002, lot 250

note: small bottle mouth, short diameter, act the role of symmetry ribbon ears, neck, shoulders oblate belly, oval ring foot. Connect body to blue and white cloud and the sea water hill, youligong draw positive play pearl dragon grain. This pot of yongle modeling, according to the archives records “, the pot was hanging bottle “horse”, said officer Tang Yingfeng purport to overseers kiln carefully prime gong imperial piece, the special requirements in regards “pattern halal, glaze water embellish, bright color.”
this bottle of blue and white with youligong bright colors, especially blue and white painted clear moire depth levels, painting, painted red as the five claws, blue and white dot eyeball, his heroic effort, sharp claws, rich life, against the background of full bottles of moire more momentum.
youligong, Ming yongle jintong toward the prevalent, due to fire too difficult, in the late Ming youligong furnace has found only in a small number of people, until the period of the reign of emperor kangxi kiln firing resumed youligong, youligong fire in this bottle is the period of emperor qianlong technology has the complete maturity. Its overall modelling beautiful, dignified, colour quietly elegant, pure of qing palace furnishings. Atmospheric modeling dignified and do not break clever, perfect and xiangyun grain with blue and white paint with briny river limit, youligong draw positive play pearl dragon grain, double color collocation, imposing manner, for the qianlong dynasty imperial kiln of classic.
this bottle of imitation since XuanQi modelling,
refer to: The national Palace Museum original qing in possession of The same species, to refer to The similar of this device is handed down is very rare, reference similar example, by Charles o. captain Liddell (1854-1941), and once this exposition Bluett exhibition in London, see Bluett and Sons make up “The Liddell Collection of Old Chinese Porcelain”, London, June 1929, no. 207; In the same collection series also includes two hold on bottles, on yellow glaze and turquoise, glaze, and the above example the description on the same page, this example a turquoise glaze later auction In London he bond, on November 7, 2013 items no. 36.
another example of this exposition In 1965 In the Norton collection of “Exhibition of Chinese Ceramics”, no. 116, now In new south wales In Sydney museum, was transition In 1964, the number of the EC. 1.1964; Braking one in your old the qing, see GengBaoChang compiled as the Palace Museum hidden treasures collected: blue youligong (under), Hong Kong, in 2000, possesses the 213; Also can reference the hsu what art museum, see bo – da Yang “hsu galleries: ceramic in the IV the qing dynasty”, Hong Kong, in 1995, possesses the 84; Finally, see Gerald Reitlinger old.tibet, see Soame Jenyns compiled as the Later Chinese Porcelain “, London, 1971, chart XCIV, figure 1.