Qing yongzheng mei bottle color ink landscape characters

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note: should be influenced by European ochre and ink colored enamel porcelain, color ink grain first in yongzheng once, it produced in porcelain parody utensils made of different materials. In 1732, the governor of jiangxi province Xie Min supervisor “annals of jiangxi province”, recorded in the yongzheng period, NianXiYao and b as jingdezhen imperial which du tao officer, under the fire of all kinds of the shape, including Xie Min load, 40 for ink color porcelain, this new technology allows artists to on porcelain, with thick ink and brushwork CunRan, depicted the traditional landscape painting, and details such as description of figures, flowers and birds plant. Jane your kindness deep color ink porcelain grain, conform to the requirements of the yongzheng emperor aesthetic, and the artistic conception of ink painting, the emperor’s attention. Ten years of yongzheng (1732) of a SAN yu, praised the ink color porcelain way: ‘painting ink painting enamel is good, drawing people Dai Heng Shang Zhenji, two people with painted enamel work, holds out of his into painting, again by tang dai also hold out into the picture, the rest of the work all is good, the stay, qin. Drawing people wear, soup painted enamel. ‘
the plum bottle lip, short neck, abundant shoulder, under the abdomen gradually gathered, tire body white and dense. Connect body with white glaze, glaze jade-like stone embellish. Bottle scene in ink painting landscape character lines, painted exquisite, distant mountains near water, pavilions, level and bright, ambitious, and profound method, shu lang composition, rich administrative levels sense, landscape strewn at random have send, stroke natural light spirit. Like a picture of one of the four king king Hui at the beginning of the qing dynasty landscape painting, exquisite and vivid, style is pure and fresh, highly literary flavor. Whole modelling of primitive simplicity and MuMu gives fully in high muddy ya qi, a porcelain material perfect shows the essence of the traditional Chinese painting ink, ethereally, picturesque, is very great.