OCTAGONAL JAR, Porcelain with design of peony and camellia in overglaze enamels – unknown

unknownEdo period, second half of the17th century – Edo period, second half of the17th century

该作品的收藏者：

On two sides of the body, designs of large camellias and peonies accompanying a taihu stone extend their branches spontaneously without being affected by the beveled surface. The impressive dynamism and brilliant colors of the design amply compensate for the warping of the mouth. The motif and modeling share common elements with the Kakiemon-style polychrome porcelain produced during the Enpo era (1673-81), though the clay body is not so refined. Such wares were made for export, known as export Imari ware, and this particular piece is said to had been housed in Europe for a long time.

作品介绍

• 标题: OCTAGONAL JAR, Porcelain with design of peony and camellia in overglaze enamels
• 创作者: unknown
• 日期: Edo period, second half of the17th century – Edo period, second half of the17th century
• 位置: Arita ware, Hizen, Japan
• 实际尺寸: w32.8 x h42.1 cm (complete)
• 出处: The Museum of Oriental Ceramics, Osaka
• 类型: ceramic
• 权利: KAZUYOSHI MIYOSHI
• 外部链接: The Museum of Oriental Ceramics, Osaka
• Place Name(japanese): 肥前?有田窯
• Object Title(japanese): 色絵 牡丹椿文 八角壺(いろえ ぼたんつばきもん はっかくつぼ)
• Object Rights(japanese): 大阪市立東洋陶磁美術館
• Object Notes(japanese): 胴の両面には太湖石を配した牡丹と椿の図が、八角に面取された面を意識せず大らかに堂々と描かれています。絵付の見事なまでの迫力と華やかさは、口部の歪みという欠点を補って余りあるものです。文様や造形など延宝年間（1673-81）の柿右衛門様式の色絵磁器とも通じるものですが、胎土はまだそれほど精錬されていません。輸出伊万里と呼ばれる海外向け輸出品で、長らくヨーロッパにあったと伝えられています。
• Object Date(japanese): 江戸時代?17世紀後半

该作品收藏于：

The Museum of Oriental Ceramics, Osaka