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Ming xuande Blue and white YunLongWen big cans | china porcelain
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Ming xuande Blue and white YunLongWen big cans

Ming xuande Blue and white YunLongWen big cans

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Ming dynasty blue and white porcelain ceramicsCreation

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size 47 cm diameter
work classification s Ming xuande
value RMB 550000-800000
price
  • did not provide a
the custom special 2019-01-03
ZhongHongXin international auction co., LTD. auction 2018 autumn auction
The record: the Japanese dazheng five years (1916) November Kyoto art club Long right-back door Hill too auspicious collection catalogue Jintong era Blue grass dragon tang big pot of
inscription: “r dazheng decade” residence “kasumigaseki royal royal izutsu”
description Tank straight micro tiny mouth, drum abdomen, gradually close to the bottom. Mouth along their draw volume grass grain ACTS the role of one week, shoulder and nearly ascend a act the role ofing deformation lotus-shaped grain fell back and abdomen main body pattern for dragon bit ganoderma lucidum, its modelling is unique, abound change, four claws, narwhal, a slender neck, mouth ganoderma lucidum strains, tail grass type, dragons curl, wham, lithe bulging limbs brawn, African just sharp sharp, momentum hook, give a person a instantly send’s strength.
this jintong of blue and white dragon grain big pot, ceramic, repair the tire is exquisite, blue and white hair color more. The Forbidden City in Beijing in 2016 “new archaeological exhibition of Ming and qing imperial kiln porcelain”, have exhibited a jingdezhen imperial kiln site unearthed xuande blue cover tank, and the lots, both apparatus in the belly with real strength, touches, four claw dragon formidable. Throughout the museum collection of jintong porcelain, are rare have such big dragon grain tank, more rare full handed down from ancient times. So the book Chinese imperial porcelain, jingdezhen imperial kiln site unearthed the repair works, with a number of complete treasure handed down from ancient times to buy, is certainly the dragon pitcher of the important position in the history of Chinese ceramics, pottery and porcelain of Ming dynasty represented by artistic level indispensable work. In particular, the imperial kiln site jintong pitcher, its dragon grain on the limbs and body of all visible strips micro convex “Cun grain crystallization” spot. But this a big pot of dragon grain, also show such characteristics, present should be the same period, in the same process the effect of the fire after Sue linen from green rendering. All jintong of imperial kiln porcelain, have exquisite coloring. Usual dragon because itself has layers of scales, are easier to map the inky depth change. Dragon grain, because of without scales, it is difficult to use blue and white show a drawn object texture, and these two large canister, clever use of Sue material characteristics, with exquisite brushwork on the tire body CunCa repeatedly, in order to present micro convex grain after firing, bring the body line of dragon like pines branches of vigorous feeling.
“gluttonous grain” and “dragon grain” is a commonly used ornamentation of ancient ding yi. Affected by the retro atmosphere, began to appear in the song dynasty porcelain decoration kui. Ming xuande is therefore in the porcelain dragon, its design is unique, both retained the yuan dynasty dragon (see Dave will be hidden by the foundation to zhengda bottle), dynamic wave shape modelling, also incorporates since han dynasty jade used the characteristics of the “dragon grain”. Yuan Ming this dragon grain jade ornaments, shows the yuan dynasty popular “dragon” modelling, ganoderma lucidum in mouth and tail curled bifurcate, like a leopard head, body is smooth and no scales, the spine has a coherent long lines, all these features are visible this jintong of blue and white big pot, as one of the symbols of the early works of Ming dynasty.
the pieces to the bottom of the present “paste the medes” phenomenon, is also a big features in the process of the system. Paste the medes is implements in the process of firing kiln bed pad by sand iron material is more, after high temperature oxidation of the adhesive on the bottom, which implements appear at the bottom of the rust spots, this feature is at the bottom of the porcelain firing defects, has become one of the implements era characteristics, Ming hongwu period which is rare.
the bottom left of ink book “dazheng 10 years of r” right paint book “residence kasumigaseki royal royal izutsu”.
kasumigaseki detached palace is located in Tokyo to use (the current congress front yard south area), for the palace of the house of habitat sichuan palace is located, designed by British architect Josiah Conder (1852-1920) in 1884 (Meiji 17 years) design. To perch chuan GongGuWei prince in 1896 (Meiji 29 years) after the inheritance on November 24, under the iha supplication, bought for the royal family as kasumigaseki detached palace, is the role of both hotel luxurious buildings. Taisho era, as the prince regent’s crown prince hirohito emperor, hirohito (later) of east 仮 gosho is also used. In 1945 (showa 20 years) may, by the bombing of Tokyo and burned.
it is worth mentioning the lots in 1916, the first description of Kyoto art collectors catalogue published by the club, in the picture the words clearly recorded the destroy lots from west temple, west destroy temple in Kyoto Japan is the city of Beijing district, formally known as Long Gushan destroy temple. Destroy temple is the largest sect, pure land authentic by pro luan. It is the largest temple in Kyoto, Japan, for the Japanese pure land Buddhism really would like to send the total temple. Mention destroy west temple, have to mention a and this lots suspected origin of important characters – otani red light. In 1876 (Meiji nine years) on December 27, otani light red, was born in Kyoto, pure authentic destroy temple sent the 21 law Lord otani light (Ming) as people’s eldest son. Japan Meiji era to showa era monks, religionist, explorer, historians, archaeologists, Chinese (monks in Chinese). Japanese pure land Buddhism authentic destroy temple sent destroy (west temple) the 22, is four, the count. Young China sun mo. Method number such as lens. School letter English school. 1913 (dazheng 2 years), otani light met with sun yat-sen, under the recommendation of Dr. Sun yat-sen serves as a consultant to the government of the republic of China supreme. In May 1914 (dazheng. 3 years), because of bad management, fiscal laxity, monks corruption suspected prison events (order), costly, and exploration to destroy west temple fiscal severe crisis, otani family bears a huge debt, otani so blame and charges, law master and earldom was forced to quit the cult, passes the firstborn otani illumination, seclusion since. Leave kobe, otani light to pass through the class wrote, ten mummies, sculpture and so on more than seven thousand pieces of cultural relics and twenty thousand books to China, north Korea handed over most of the rest “governor”, set up the north praetorium museum (now central Seoul museum) part of the museum presented to Kyoto, Japan (later transferred to the Tokyo national museum), university of backflip studios, and Japan’s art gallery; Some cultural relics to sell to the dealer, earn a lot of wealth… , so that the lots probably otani when light ray at the helm of west destroy temple in exchange for money to sell. If so, this lots inheritance basic clear context, dazheng before 3 years should be otani, the red light is hidden behind the master right-back door change for long Hill too ji duo, and cataloguing Yu Dazheng 5 years of publication, dazheng 10 years into the kasumigaseki detached palace treasures, then is good by the current master Tian Guzu treasure today. (1889-1958) good Tian Xi ichiro good Tian Guzu is engaged in the printing industry in Japan, there is quite a reputation.


source:https://auction.artron.net/paimai-art5141874537/

原创文章,作者:lostcat,如若转载,请注明出处:http://culture.ceramicsj.com/2019/01/26/ming-xuande-blue-and-white-yunlongwen-big-cans/

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