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Qing qianlong blue-and-white squirrel grape grain big bowl | china porcelain
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Qing qianlong blue-and-white squirrel grape grain big bowl

Qing qianlong blue-and-white squirrel grape grain big bowl

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qing dynasty blue and white porcelain ceramicsCreation

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size 22.5 cm in diameter
work classification s qing qianlong
value RMB 500000-600000
price
  • did not provide a
the ancient times to save Jane – special antique curios 2019-01-10
Beijing leung international auction co., LTD. auction 2018 autumn auction
inscription: “qing qianlong year six” three lines of the seal character models
description Description: this piece of blue and white squirrel grape grain qing qianlong period of the bowl, the shape is quite big, not to see. Exposure to a tiny, dark arc, abdominal wall light, blue and white tie up three branches grapes, outside wall act the role ofing squirrel shuttle during the games, painting incredibly detailed. Blue and white “qing qianlong year” at the end of the book six three lines of the seal character chapter parties inscriptions.
grape grain with the topics of the decorative arts and crafts, as early as in tang dynasty, with hippocampal grape grain bronze mirror, grape grain silver, etc. More frequently to the Ming and qing dynasties, China paradise carved lacquerware lacquer, chenghua bucket color grape grain has been popular in China. The grapes into a string of clusters, fruits, moral harvest, wealth and longevity. The squirrel is a very lovely animals, mouse at twelve o ‘clock for the child, yu “son”, grape grain combine with squirrel “many children fu”, “auspicious wish son ten thousand generations”, become typical of the Ming and qing dynasties porcelain decoration pattern.
in the qing dynasty imperial squirrel grape grain big bowl of this specification, as in Yu Kangxi toward, visible choose first volume of the Palace Museum hidden in the qing dynasty porcelain kind – qing shunzhi kangxi dynasty blue and white porcelain “, the Forbidden City publishing house, 2005, pp. 199, 120. Its decorative design layout, cyan color quietly elegant, branches and leaves are mike sheron, or for liu one of the new style design.
this is the work of the qianlong dynasty, exquisite TaiZhi nut, glaze color is bright green but person, blue and white hair colour is pure. Outer wall adopts traditional Chinese realistic painting depicts ornamentation, branches and leaves many folds, vines QiuQu flexible, da-yeh flip, squirrel or chases, foraging, or have a rest, different posture, lively and clever. Cultural relics collection, the Chinese university of Hong Kong has a pair of this kind of work, and this product regardless of model size, blue and white hair color, inscriptions written, all the same, description in the qing dynasty porcelain populist Kang Yonggan Jane – qing dynasty imperial porcelain “, nanjing museum, the Chinese university of Hong Kong museum of cultural relics, 1995, 76. Can we compare objects.

refer to:
1. The essence of qing dynasty porcelain Kang Yonggan Jane – qing dynasty imperial porcelain “, nanjing museum, the Chinese university of Hong Kong museum of cultural relics, 1995, 76;
2. The Palace Museum selected in the qing dynasty porcelain class first volume – qing shunzhi emperor kangxi dynasty blue and white porcelain “, the Forbidden City publishing house, 2005, pp. 199, 120.
3. The Palace Museum hidden carved lacquerware, Beijing cultural relics publishing house, 1985, chart C117;
4. Sotheby’s Hong Kong, May 8, 1988, no. 0158;
5. The treasure in the tang dynasty, Beijing cultural relics publishing house, 1985, figure 44;
6. The Palace Museum hidden treasures series – blue and white youligong (under), Shanghai science and technology publishing house, 1999, pp. 177, 162.


source:https://auction.artron.net/paimai-art5142950713/

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