Qing guangxu Color dark fights the eight immortals grain fold along the plate (a)
lots informationThe
– | size | 21 cm in diameter x 2 | |
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work classification | ceramic color bucket in the qing dynasty porcelain | s | |
value | RMB 30000-50000 | ||
price |
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deserves to ancient porcelain, Jane jas, CV 18 inkstone | 2018-12-13 | ||
guangdong last Ming chongzen auction co., LTD. | auction | 2018 autumn auction | |
inscription: “qing guangxu years” blue and white six pairs of travel model charging | |||
description | Explanation: “dark” the eight immortals as one of Chinese traditional art of decoration pattern, refers to the legendary eight immortals of Taoism’s eight multiplier of a kind of auspicious patterns, also known as “the Taoist sweet”. They are zhang guolao hand-held treasures “drum”, it is divination fairy legend, can know the past to the future; Lu dongbin with sword, it is said that the sword can drive ghosts, scooped the evil; Blue and basket, inside is not a mundane; Xiangu in the hands of lotus, can make people cultivate one’s morality raises a gender, don’t dye distractions, lotus is the symbol of Edward Chen at the same time; Turn iron lee gourd, legend pills of immortality, moral relief for the whole world; Clock from the right hand fan, legend can let people back from the dead; The prince’s maternal uncle cao hold the jade plate, can let a person calm, to the foreign affairs; Han xiang purple flute, legend it has made all things of life. It with the “buddhist sweet” represent two different realm and the pursuit of Buddhism and Taoism, with its longevity in ankang, evil is popular with people. the guangxu period of the colour imitation YongGan period more fights the color style, blue and white hair colour quietly elegant, ShiCai slightly dim and massiness, but colouring accurate, rarely overflow contour. This bucket color count plate, exposure, abdomen, ring foot, blue and white “qing guangxu year six regular script” at the end of the book inscription; Shu lang TaiZhi renew, even white glaze color, composition, rigorous, pen painting is finished, as a typical guangxu kiln bucket color porcelain, continue to follow exquisite masterpiece. The continuation process manifests the praise highly of sendoh and fear of the ancestors and miss. see: “lucky special exhibition”, national museum in Tokyo, 1998, pp. 118-118, 99. |
source:https://auction.artron.net/paimai-art5139561624/
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