Qing jiaqing Carmine in pastel nine baby son play the flourishing of descendants of the flask
lots informationThe
| – | size | 35.1 cm high | |
|---|---|---|---|
| work classification | ceramic famille rose porcelain in the qing dynasty | s | |
| value | RMB 4600000-6600000 | ||
| price |
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| court important porcelain, jade, arts and crafts | 2018-12-09 | ||
| Beijing poly international auction co., LTD. | auction | Beijing poly 2018 autumn auction | |
| description | The bottle mouth, long neck, round abdomen, the bearing ring foot, stretch and elegant shape. Bottle with pastel full decoration patterns, foot in mouth tallied, bottom paint, enough to circle painted blue material back to the lines to act the role ofing, bottle belly up and down to carmine to act the role ofing, colour and lustre is beautiful beautiful, delicate and charming be about to drip. With pastel painting the flourishing of descendants of the gentle and bound on its branch lines, some distance and butterflies fluttering, the composition is overelaborate and luxuriant, painters and complex and rigorous condition, its pattern with repetitive continuous adornment is given priority to, but the decoration is not boring, the same but in a lot of detail place chic and elegant look and feel of the experience to the person, of gold. Such as melon by gradient color quite rich stereo feeling, and the butterfly with fine brushwork and rich color shows the profound influence of the western painting techniques, your yong rong, distinguished. Within the abdomen adversary ruyi shape through abdominal medallion with white glaze, shi pastel painting on its nine son figure baby play. The whole picture in the water in the pavilions, deep and remote mountains green, water gurgling, colour shade set each other off, to the actual situation of the scene by far and near natural too. Pavilions and Bridges that opened in rock flowers between the trees, flowers and trees to pitch looks, dancing tactfully, rockery stone in the garden, high and low flexion, left alone, more and verdant, winding crisscross. Nine son play in it, one side painted abital, center with satisfied and painting ji, surrounded by four children or the date of branches, or the fan, or of sheng, or a pen and gold ingots, different posture, meaning “early to rise level 3”, “must be the best”. The other four children play each other, or hold the melon, or the best, or hand disc hanging qing long, meaning “appropriate male fertility”, “auspicious luck”, vivid and full of tong qu, character follow the testimonies, and add the outline also exquisite exquisite accessories. Decoration layout of the whole machine adopts type scatter perspective of Chinese painting composition, layout, from different angles and viewpoints on the positive, pay attention to line structure, one of the children follow the pastel traditional characters GouMiao skills, namely whole body proportion, “line 7, sit run five, four, three and a half”, and can reflect “the children have no waist” figure characteristic features. Among the surrounding scenery line continue to use the skill of Chinese claborate-style painting, using line shade, firm soft and the actual situation, the thickness and weight to express the appeal of the objective scenery, mountains near water, mountain Shi Cang tree, line in written form, to form god. Blurring vision rich layers, everywhere, such as in the picture. But the use of integral colour and western oil painting that bright bright, bold colors, the effect of the picture gives a person with a strong, bold, visual perception, is auspicious festive scene. Mouth tallied, bottom cover turquoise glaze, and in the bottom of the heart with red color book “qing jiaqing years” six seal character, wu kuang outside the circle. mesoscopic grain appearance and style of the whole machine, with a heavy heritage of emperor qianlong. Porcelain making technology of jiaqing once completely from the qianlong period of the artistic style, especially in the early. Qianlong c after GuiZheng, gaiyuan for the first year of jiaqing, but in the qing dynasty palace office file, there is still a qianlong in sixty-one and sixty-two when xian book, palace archives still continue qianlong: 1. Visible has been reformed zen, but emperor qianlong as a father in later life remains the sovereign master of the country right, do it on the eve of GuiZheng drive makes the poem “the New Year’s eve,” has “the day emperor qianlong, jiaqing years of the Ming dynasty. Ancient and modern, rare syon heaven and earth. Xie, parents dare speak mind gain a consummation. Close to the old man said, cloud could all ten.” As a “historic first holistic” emperor qianlong, he hopes to be able to have the parent and children, as meidefang mintimer shaimiyev, old age life, as he write couplets of the book in front of longevity “in people, Ken send Gao Xian Song Dian.” Acceded to the throne and emperor jiaqing also stepped up, from the beginning, shi CiYan, often to teach, everything is go along with emperor’s father, is always considerate. Are worthy of the name “always with filial piety as a service”. So period of imperial porcelain also shows cater to emperor’s father, who all euphoria, festival happiness of prosperity. According to the three years of jiaqing’s done do work clear file “, three years of jiaqing to jiangxi fire kuan, Jude demanded “half qianlong, jiaqing”. So the early years of the jiaqing emperor qianlong prime jiaqing of the imperial kiln chinaware production level while they are alive and qianlong times no 2, there is “dry fine both” feeling, of which the essence of famille rose cut machine, even more than the late qianlong works in general. The late emperor qianlong, controlled failure in power at the same time, also has “archrival sixty years, s five feet. Allow appropriate to major, more than anything.” Ideas and pretend to be a “wufu” five generations hall master, since the great-great-grandson is born, he is the most happy children RaoXi, five generations, to continue their own day. The baby show casing of prosperous scene of the bottle is in keeping with its intention, visible jiaqing emperor on the imperial kiln attentively, with love. Because of this, emperor jiaqing face mask to filial piety, make father shengyi very yue, father and son relationship is harmonious, the jiaqing emperor long, thick, its penned in jiaqing three New Year’s day, “yuan 3 more 6 # 3, jiaqing emperor qianlong parent-child tain. Political tutelage heart still book is flaring Benedict, trying knee part temperature of grand.” And demise late February, the following year in the Gregorian calendar 1799. The qianlong emperor in the final analysis, is life, old age is like meidefang parent and children, writings.finally also as “the emperor”, is a complete. However has anti-mugabe as its behind jiangshan weakness be, once glorious years is over, only this one still remained at the time were light. the shape and decoration layout can be traced back to the qianlong once, see old qing pastel green lotus design lines had a bottle, the Palace Museum hidden treasures series, colored enamel, enamel “, 122, and baby play subject for the common patterns of the qianlong period, see figure 121, 128, 132, with the book, and especially in the 121 figure bottles, pastel green baby play rock, its background of flower color, such as with this product. Jiaqing this toward similar on both sides of the neck mostly do ears, one of Taipei’s Palace Museum collection, pastel baby play bottle, with a pair of description in the swim Taiwan – qing jiaqing king injong cultural relics exhibition “, numbering III – 33; Another visible for sea church old hidden dragon boat racing bottle with a pair of a pair of famille rose red, the machine clear reward: free time for the church to hide in the qing dynasty imperial kiln porcelain 缾 “, no. 138. Both above, baby play with other adornment theme of visible jingdezhen ceramic tube to hide powder enamel vase with a pomegranate grain therefore, contained in the Tibetan porcelain, corpora (below), jiang, page 15. refer to: 1. The swim Taiwan – qing jiaqing king injong cultural relics exhibition “, the national Palace Museum, 2016, no. III – 33 2. The machine clear reward: free time for the church to hide in the qing dynasty imperial kiln porcelain 缾 “, the Chinese university of Hong Kong, in 2007, no. 138 3. The Palace Museum hidden treasures series, colored enamel, enamel “, in 2012, the commercial press, 121, 122, 4. The Tibetan porcelain, corpora (below), jiang, zarva press, 2005, pp. 15 note: Shanghai important private collections, Shanghai tube will be returned |
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source:https://auction.artron.net/paimai-art5138646488/
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