Qing qianlong Blue and white tie up branch Buddha lotus “blessing than” lines like ear flat bottles

• RMB 13800000
• HKD 15558061
• USD 2070000
• EUR 1518000

refer to: “the qing dynasty Kang Yonggan kiln kiln porcelain, porcelain” hope star building, no. 12

note: qianlong once considered it the peak age of Chinese porcelain history, the category of heavy and complicated, superb technology, is unprecedented, royal plant set good workmen of cunning work capabilities, in observance of the qianlong emperor wide hobby, archaize today, the careful research to burn, there are many innovation, hence to type out the imperial porcelain of kit kat, ornamental design reporting, elegant, individual at all. Xu of water flow zhai said porcelain with: “… To qianlong hua Ru extremely yi, to elaborate, several weapon in… “. Shao zhi people from “the additions to a master of ancient and modern China origin:” qing porcelain to qianlong and jisheng, type of mo and compare “.
this elephant ears flat bottles is a representative of the qianlong emperor royal porcelain. As is known to all, emperor qianlong had ordered b for the court to make very challenging and difficult style novel porcelain, often pay more attention to process of refinement. In the emperor’s behest, b conscientiously, strive to innovation, carved on materials and technology, to create a unique pattern and multifarious work.
the bottle shape copy since ancient bronze ware, ear for like the first. Mouth along the five floors to the lower neck drew ornamentation, mouth along their decorative wreaths all lines, which connect “Pisces” and “flying bats” wen drew is in the centre of the bottleneck, neck down comprised the decorated with antique respectively in grain, lotus flower and best lines. Bottle bottom from bottom up from the feet to draw ACTS the role of three layer texture and the neck below the pattern accordingly. Abdomen tower is decorated with a rare tangled branches of the lotus, the central adopts top-down method, through to flexibly and double qing Central Line respectively, and the bottleneck in the middle of “Pisces” and “flying bats” moral “enough”. Whole painting with western javed baloch flavor, clear line feeds, oval shape, and innovation with elephant decoration, has created the new style of blue and white imperial porcelain, qianlong period is extremely rare in the qianlong imperial porcelain. Full at the bottom of the craft, are falling behind “the qing qianlong year” six three lines of blue and white seal character.
this product modelling for unique category of qianlong imperial porcelain, in addition to the product of the blue and white double elephant ears flat bottle, another thing is the same style of porcelain, hide in the hope star building, exhibition in Minneapolis art college, in the qing dynasty Kang Yonggan imperial porcelain, porcelain “hope star building, 2004, no. 12. The work in the form of unique Chinese traditional pattern with western painting techniques together harmoniously. Tire, tire body, white and smooth porcelain quality of the wall blue and white slightly thicker than the yongzheng. Glaze even, flash pallor, slightly glossy jade-like stone embellish. Blue and white hair color “stable and vigorous, composure,” domestic first-class zhejiang fire, and there was no difference in the blue and white and yongzheng, reached the excellent effect of hair color. Modelling respect, on the basis of inheriting power flower vase with basic shape, bold innovation, open up a new style of the qianlong antique furnishings porcelain. Perfect decorative design is given priority to with tie up lotus flower pattern, with passion, ruyi grain adornment, such as foot and mouth echo of archaize of continuous, patterns such as central axis symmetrical distribution have become the model of later qing dynasty imperial kiln porcelain decoration. Blue and white color verdant and writing style different from traditional varieties of halftone. Through a unique decorative belt in the work of a kind of exotic emotional appeal. Flat bottles and curled up on the lotus petals, is a typical Chinese style combined with the western painting way, this is the jesuit missionaries working in a court painter and popular. Petals and leaves of mild tone level approach to achieve the effect of a contrast and volume, this is the qing dynasty before the Chinese court not familiar, more reveal the unique flat bottles.
the flat bottle is not only a blend of the ancient and modern art, but also by a skillful craftsman to differences between Chinese and western culture, the contradiction and conflict to perfect harmony. To add a unique art form in China, the essence of western culture, combine the Chinese traditional lotus flower pattern around the elegant and rococo passion fruit grain of romance. In court, and it embodies is the royal family for imperial porcelain display the highest taste.