Qing yongzheng color ink figure small bamboo to peace

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note: this means safe to ink color enamel bamboo figure small cup deep belly, arc wall, concave. Cup body color ink enamel painted bamboo pattern, the picture only with MoCaiHua bamboo leaves with enamel light painting rocks have posture. Painted a thin bamboo oblique pick, across the little rock painting bamboo and not random, order well, painters of the full performance capability. The color material texture thick, bright, sleek canvas effect. In the qing dynasty porcelain decorative auspicious patterns, “figure will deliberately, meaning auspicious” distinct era characteristic. Chinese rose, bamboo implies “peace” of the four seasons.” Bamboo at peace “(also known as” bamboo detonation peace “), and other auspicious He Yu. By its can peep the yongzheng emperor on new jas in the pursuit of enthusiasm. Kangxi dynasty namely with a try of ink enamel porcelain, small extent but still poor (see pleasure in Bushell ‘” Oriental Ceramic Art “, London, 1981, pp. 202). To clear the sejong, to perfect the ink color porcelain, shengyi. Painters in color ink painting on porcelain, can show the thick ink, brushwork CunRan, as the Chinese traditional landscape painting, during which people, mountains, inclined tree is clearly visible, strewn at random have send. Jane your kindness deep color ink grain, conform to the requirements of the yongzheng emperor aesthetic, and the artistic conception of ink painting, the emperor’s attention.
Cai Hebi in the qing palace colored enamel porcelain which are mentioned in the introduction to ten years of yongzheng (1732) of a word, praised the ink color porcelain way: “painting ink painting enamel is good, drawing people Dai Heng Shang Zhenji, two people with painted enamel work, the hold out into the picture, and then by tang dai also hold out into the picture, the rest of the work well, the left, qin. Drawing people wear, soup to painting enamel “refer to: (see Cai Hebi, the qing palace colored enamel porcelain exhibition, the national Palace Museum, Taipei, 1992, pp. 12).
the product painted scenery bearing “south” of the painting style, the “theory of the civil cases” for the Ming dynasty painters, historian, dong qichang proposed, deeply influence on qing dynasty painting style. Refer to: the Beijing capital museum is a very similar example, recorded in “China ceramics complete works”, volume 14: clear, Shanghai, 2000, 176 chart. Otherwise a pair of cases, the sale at Christie’s in New York on March 26, 2010, no. 1438. See: also see a pair of color ink bowl example, belong to original k.s. lo, courtesy of the Hong Kong museum of art, exhibition in the qing dynasty porcelain hui jin: Hong Kong art collections in the qing dynasty ceramics “, Hong Kong, in 1984, no. 57. William and Jennifer Shaw Kang she see also a storage class example, three degrees sold at sotheby’s, London February 29, 1972, respectively, no. 265: Hong Kong on October 31, 1995, no. 552, and New York in September 2012, 11/12, no. 83. Other comparable a pair of similar cases, zhao from yan collection, several times sold at sotheby’s Hong Kong, respectively, in 1974, 1978, 1987, 1996, the latest for April 7, 2015, no. 101. See: see another yongzheng pen container, its adornment style similar to this product, comparable, now lay aside the Boston museum of fine arts, in ceramic magnetic encyclopedia in the world, volume 15, Tokyo, 1983. 73 chart.