Qing yongzheng ocean colour imitation rosewood grain glaze Huang Cai the mie grain porcelain barrel

• RMB 7130000
• HKD 8038331
• USD 1069500
• EUR 784300

the exclusivity of yongzheng drive makes imitation wood grain porcelain barrel, is to show the qing dynasty on the use of glaze color imagination to mimic other material and boasts the best example of creative ability. Barrel body body steady heavy, enamel moist. Inside and outside The Times mu wen shi glaze, abdomen, leg ministry plastic two yellow glaze imitation bamboo split form barrel hoop. Grain shape is like a wooden bucket, sophisticated technology, perfectly. Jiangshan series “moral”.
in the yongzheng and qianlong dynasty, imperial plant mix to create an unprecedented variety of glaze and glaze color design effect. Taipei’s Palace Museum collection of a set of moving refers to nine, glaze, imitation wood, bamboo, brussel stone and marble texture, some render lacquer, gold and silver in copper wrong, also have chased imitation malachite and turquoise grain, it is the best proof. Although the vast majority of such imitation enamel colour porcelain is handed down is the qianlong dynasty work more, but in a small number of yongzheng porcelain has survived, both are fine, but more for imitation wood grain glaze. All kinds of glaze, there are two kinds of hair with iron oxide red color is most suited to simulate wood grain effect.
very early in the history of Chinese porcelain making began to use red color, by the 18th century, craftsmen have found that if is flux with potassium nitrate instead of lead oxide, iron oxide red color can show the effect of slant orange, very near to the texture of lacquer ware and wood grain. At the same time, by reducing the proportion of lime and ferric oxide, achieve the effect of thin glaze, make porcelain in reducing flame burning, in the oxidizing atmosphere cooling, fire out multi-level glaze, including different shades of brown and orange, to achieve as this a pail can see the realistic imitation wood grain effect. Yongzheng porcelain handed down from ancient times with the implements of the imitation wood grain glaze mostly four items, and used to ornament effect more. Museum of Beijing the imperial palace in possession of a porcelain brush pot, central to the ink painting landscape patterns, up and down along the act the role of a few can be genuine imitation wood grain of the glaze. Another yong zheng famille rose porcelain vase painting landscape characters, hidden in London’s Victoria and Albert museum, is also similar to the adornment style. And a San Francisco art collection of yongzheng even hollow porcelain brush pot, the base is also similar to wood grain glaze. During the eighteenth century, seems to be very popular imitation wood grain glaze. The Palace Museum in shenyang and nanjing museum in possession of a wood-like glaze in the golden bowl; The Palace Museum in shenyang and the other one both inside and outside of the imitation wood grain glaze shallow bowl. Taipei’s national Palace Museum has a qianlong s much jose pot, imitation wood grain glaze, imitation with copper convex edging device, a pail with the imitation of woven convex ribbons have the same effect. Beijing’s Palace Museum collection a three-legged pot with yongzheng, whether in the imitation wood grain and joining together the details of the board, or imitation woven convex lace styles, are related to this. Another Swiss meiyintang hidden but in subparagraph 3, no generation of between yongzheng and qianlong dynasty a imitation wood grain glaze barrels, woven lace is just flat on body, not like this thing or for three-dimensional decoration of Beijing the imperial palace of the collection.
across China, the proportion of barrel manufacturing system, there is no uniform standard and type, but the practice is to use wood, again with braided rope in the bottom of the abdomen and tightly lash, completely like the pieces of the appearance of the pail. As for the part, has the choice of different materials, can be a wooden handle, or rope, also has a mixed use. Beijing Palace Museum collection “yongzheng like till weave atlas”, 8 “shadow of silting” visible in the picture will be open as a prince assumed the painted farmer, side has two buckets, bucket rope on the ear dozen scored; 14 open “irrigation” see Cheng barrel mouth with a piece of wood, style is close to the matter in the but is simpler, less handle this delicate complex. Otherwise published in addition to this, similar to yongzheng imitation wood grain glaze pail, is Shanghai museum collection, collection in 2002 mark press, Wang Qingzheng description of “the dictionary of Chinese ceramics,” on page 228, the bottom right hand corner, whether it’s shape and size, both are very similar, the difference is only the Shanghai museum collection fall blue and white.