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yuan Longquan celadon carved powder blue glaze peony lines ombre honour | china porcelain
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yuan Longquan celadon carved powder blue glaze peony lines ombre honour

yuan Longquan celadon carved powder blue glaze peony lines ombre honour

lots informationThe

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size 41.2 cm high
work classification the yuan dynasty before ceramic s
value RMB 350000-450000
price
  • RMB 897000
  • HKD 1014706
  • USD 134550
  • EUR 98670
artisan, ancient porcelain project 2018-12-12
medieval pottery (Beijing) auction co., LTD. auction 2018 autumn auction
description The statue of longquan celadon powder blue glaze paste wrapped peony lines PND tail-on statue, outlets, long neck, round abdomen, the abdomen down gradually. Ring foot tire, the neck ACTS the role of string lines for weeks, abdominal perfect emboss bound branch peony grains, under slender chrysanthemum petals lines near the foot. Overall modelling dignified elegance, tire body vigorous, luster glaze jade decorative numerous and not random, exquisite exquisite carving. Peony is the king of the national flower, peony also known as the “flower drum 䕨”, blooming flowers, auspicious meaning.

the mountains Kiln attendants to
– yuan Longquan celadon powder blue glaze paste wrapped peony lines ombre statue of
“father” of Chinese ceramic archaeological wan-li Chen once said: “a history of Chinese ceramics, half in zhejiang; A history of zhejiang ceramic, half in the longquan “. Longquan celadon is the history of China industry finally formed a celadon ancient jun, its cultural connotation is rich, the scale of production is very spectacular, cultural exchanges and integration are the two big industry model of porcelain is officer people connected to each other, and the result of mutual reaction, is history of the development of Chinese celadon process assembly.
longquan celadon and burning in three kingdoms period, in the 5th but fire scale is not big, after the tang dynasty, five dynasties to the northern song dynasty early development, middle northern song dynasty began has begun to take shape, the late northern song dynasty longquan celadon is already fire porcelain for the palace. In the southern song dynasty period, the national political and economic center south, the north large population migrating south, the north of ancient jun porcelain making technology such as ru kiln, kiln was introduced into the south. Longquan celadon in combination with the north and south skills rapidly maturing period at this moment, fully formed its own style, thus forming a large kiln system. Embryo glaze formula, not only the modelling design, decorative arts, glazing method and loading kiln firing has a significant change and improve, and because the mastered embryo glaze formula, glaze and firing temperature control many times, is the prime implements glaze color is pure, powder blue glaze and plum green glaze reached the zenith of celadon glaze color! Powder green like moonlight quiet and tastefully laid out and quiet; Plum green in general can eat. Less with powder blue glaze, from the perspective of the ceramic technology of powder blue glaze is a kind of “alkali lime glaze” this kind of glaze, the glaze in the high temperature viscosity is bigger, liquidity is small, many hanging glaze. When light is absorbed glaze layer, the glaze will make a strong scattering light, presents a kind of downy elegant like ice jady aesthetic feeling.
Japanese society of celadon is very popular, especially the longquan celadon, located in 8 pieces of national treasure of China ceramics have three things longquan celadon, jiangyuan “benevolence and temple royal room: a memoir,” said “celadon sheng right royal food more, is secretary, one day” after the 13th century aristocracy popular Japanese tea, to collect the tang are proud of the things.
the yongzheng emperor extremely like this kind of work, and jingdezhen imperial plant to be generic, Taipei’s palace existing collection.
the shape of the peony bottles of pop Yu Yuanming period, theme grain is carved or stick act the role ofing is more entangled named peony, a beautiful long neck bell mouth, also known as Chinese brake respect is the innovation of the yuan dynasty longquan celadon varieties. National museum in 1970, the east suburb of Hohhot in Inner Mongolia yuan feng could relics unearthed longquan celadon green glaze cut peony flower vase with, implements high 45.5 cm. The Palace Museum in possession of a yuan of longquan celadon old blue glaze peony grains flower vase with, implements a height of 72 cm. Xinan underwater and in South Korea, the Hohhot in Inner Mongolia yuan dynasty ruins in 1970 and is found BaiDa Village hoard of yuan dynasty. Including Inner Mongolia hoard unearthed the PND tail-on and was “already this year calendar censer masterpieces with” f unitary years “is big yuan two years (in 1309), known this longquan celadon PND tail-on s before when since. Britain’s big weed foundation collection of flower vase with a 72.2 cm high, its mouth engraved with “… Thai four years (AD 1327) “inscription, to the yuan dynasty longquan celadon porcelain dating standard. For this lots of times as a case in point.
the same as the this product to check the Columbia: the journal of the Oriental ceramics association, 1995-1996, Oriental ceramic published in Japan, 1997129 pages, figure 32 glaze color, shape, size is slightly different, only the height is 57.8 cm. Controller can check another New York Christie’s 2017 treasure map – fujita art collection art treasures in ancient China special auction, no. 501 for $727500, or about 5033573 yuan.
refer to:
the Columbia: the journal of the Oriental ceramics association, 1995-1996 “, Oriental ceramic published in Japan, 1997129 pages, figure 32
, the Palace Museum hidden treasures series – color glaze, Shanghai science publishing house, 1999, 184, 167,
the qing sejong cultural relics exhibition, the national Palace Museum in Taipei, in 2009, 202 pages, figure 28,

– “fujita gallery collection by focus, volume ii, fujita art museum, Osaka, in 1954, no. 45,
” fujita museum collections catalog by volume 2 “, fujita art museum, Tokyo, in 1972, no. 339


source:https://auction.artron.net/paimai-art0080563432/

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