Qing qianlong Blue and white flowers around branches grain ssangyong’s ear

• RMB 2415000
• HKD 2722661
• USD 362250
• EUR 265650

1. [see] “the Palace Museum hidden treasures series, colored glaze, Shanghai science and technology publishing house, 2015, pp. 270, 247;
2. The Palace Museum hidden treasures series, blue and white youligong (under) the commercial press (Hong Kong), Shanghai science and technology press, 2000, pp. 152, 138.
3. Sotheby’s Hong Kong, October 8, 2006, Lot 1058.

the qianlong emperor worship the ancient, has done a series of antique porcelain are reflected his yearning for ancient rites and ritual, as emperor he hopes by traditional Confucian lilly governance territory, see themselves as ancient XianWang, with Confucian. Archaize wind began in the song dynasty, the scholars keen to by artifacts textual research of ancient laws system, and with good add four gaumata, clear the good ancient wind is reached its zenith in the period of emperor qianlong. Emperor qianlong accept the han nationality traditional culture education, to Confucianism governance and sincerely love ancient Chinese culture all over the world, to have the strong desire of ancient. At that time national strength is strong, thriving culture especially the study of epigraphy, stable social environment for the progress of handicraft production level provides the basic safeguard, all of which are for the wind of qianlong dynasty antique blow. Qianlong dynasty antique range is very broad, and the most core is the imitation of Confucianism deeply, especially the western zhou dynasty bronze ritual vessels, like this product. Because bronze ritual vessels as orthodoxy of the concentrated reflection of ideal music system, is a condensation of classical aesthetics, thus successfully copied such artifacts, be not the emperor has again st ran a pride, is also to his mind palace process model of a kind of exploration.
as with porcelain imitation bronze palace furnishings porcelain with characteristics of “ritual”, the typical porcelain works of the qing dynasty antique bronze. This product modelling solemn quaint, foot out, atmospheric modeling stocky, line ups and downs, neck is symmetrical ssangyong’s ears, delightful and. Outside the wall blue grain by a blue and white double circle, shows zonal distribution, the mouth along the downward in the order in grain, folding branches of flowers, flowers wrapped lines, the waves of the sea, four seasons of flowers wrapped lines, lotus-shaped grain, ruyi hook moire, etc. Decorative layout numerous and not random, blue and white fine, hair colour is pure. Draw workers is copy yong xuan, halftone method, fine pen. Bottom left “qing qianlong year” six three lines of the seal character. The product fine wen wan, more meaningful, placed in the palace, the solvability of SiGu, make people realize the ancients special aesthetic temperament and interest, is the high-quality goods of archaize of qianlong, very rare.
with grain, shape, for reference in the art market in Hong Kong in 2006, with 6.84 million yuan, the size is larger than the product (52 centimeters). Also refer to Beijing Palace Museum collection, as the product modelling, with blue fire at the same time dragon statue, grain composition is different, also for the display of large size 54 cm. Same as modelling, also can be reference of Beijing the imperial Palace Museum collection, for more than 50 centimeters size at the end of the qing qianlong tea glaze dragon statue. This product more common than in the past 50 cm large display device, more scarce, more suitable for display in the study hall, admire the ancient tasting.