Qing qianlong Kowloon, blue and white lines double therefore ears

• auction

1. [source] Chinese Porcelain Company, New York.
2. American collectors old Tibet.

1. [see] John Ayers (John Ayers), “Bauer Tibetan Chinese ceramics” (” The Baur Collection “), volume 2, Geneva, 96, 215;
2. The Palace Museum hidden treasures series: blue youligong (under) the commercial press (Hong Kong), Shanghai science and technology press, 2000, pp. 132, 118. Page 252, the figure 230;
3. The qing Kang Yonggan coating, the national Palace Museum, the republic of China (third edition), seventy-nine, 1986, pp. 115, 85.

as blue and white porcelain of Ming, from the date of birth, and its artistic style and elegance is clear and is in favor of the common people. On the element tire of blue and white porcelain, colorants for cobalt blue paint grain and burn becomes, the Yu Qing blue and contains the rich change, shade is dizzy, like Chinese ink painting, and become the representative of the Chinese porcelain in the world. The Ming and qing dynasties, blue and white porcelain of fire always occupying the mainstream position of palace imperial porcelain. Serve YongGan dynasties, bearing the weight of the important characters of prosperity in the qing dynasty imperial kiln fire – du tao officer Tang Yingceng recorded in the mold drawings: blue circle, one tired BaiQian. The circle is a kind of can want to blue and white porcelain fire in the large number of Ming and qing dynasties.

the qianlong once, social stability, solidity, a prosperous time spectacle, jingdezhen porcelain has reached its peak. Emperor qianlong himself be fond of poetry as fu, especially, led by porcelain, jade, all kinds of works of art have reached the obsession with degree, especially for China. He continued with power du tao guan kiln b supervision services, set a generation of master artisans expert making opportunely, and often preach oracle, command the new sample, drawing, mould, close after the examination and approval, deliver the jingdezhen imperial plant fire, inherited and developed a lot of porcelain making technology, generally pragmatic, often personally, “in the material temperature, born grams of change theory, although did not dare to call omniscient, quite a lot in more flexible way. The only purpose in craftsmen of today can be its purpose, with artisans yi wei.” Because like a b so hands-on and full read now scholars participate in du tao, makes YongGan dynasties created the most brilliant in the history of qing dynasty imperial qing porcelain. This product is the one of them.
this product along the micro prime mouth, neck and neck double ear, therefore oblate belly, modelling elegant, soft lines, the outer wall of the Kowloon tong blue sea water lines, and rich decorative design level, looked like layout, the overall exquisite painting, the calligraphy is fluent, dots scattered, quaint all show, fetal bone is excellent, strong glaze juice jade, both countries LiangQi character. The blue and white color as ink, pale shes’.
“dragon, scale insects, you can understand, can be fine, can grow to short. The vernal equinox and heaven, autumnal equinox and dive deep… “Is not only a symbol of auspicious dragon pattern, but also as the Ming and qing dynasties imperial court exclusive of the grain, the emperor of qing emperor is committed to shaping its legitimacy and supreme imperial power, widely used in all kinds of imperial court art dragon grain, especially as a palace in the display and use of the imperial kiln chinaware, is like this.
the bottle with a blue and white paint with water full Kowloon, choppy sea, Kowloon forms, or positive, or up, roll, or water bearing is special, over a bottle of described xiangyun dragon prance between very terrible vivid, embodies the dragon in the days of the royal dignity, royal style. Especially the product size is moderate, the large display device, also not more than 10 cm of small bottle, but nearly thirty centimeters, size can be in the free time of the emperor keeping tasting play thing in the world.
access to all kinds of public and private libraries, both at home and did not see the same person, only Mr. Bour to collect one, for the same patterns of the modelling, yellow to blue and white, but did not see the other collections. And Kowloon with decorative palace imperial porcelain, and similar grain, also visible Beijing Palace Museum hid qing qianlong blue-and-white Kowloon play pearl grain bottle (70.5 cm), blue and white rouge color Kowloon grain mei bottle (31.5 cm) high, and the Palace Museum in Taipei hidden qing qianlong blue add Kowloon bottle (27.7 cm) for reference. Can see from this, the qianlong emperor affection of such patterns, in blue, the blue and white color class implements the use, at the same time also can understand the patterns of palace imperial porcelain fire does not see more, it serves to show the exclusivity of the product.