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the Scottish nobles, Tibet in the 1920 s before
exposure, gradually under the mouth wide, vertical abdomen, ring foot. Shoulder on both sides of the symmetrical act the role of blue color rehmannia longnu ears. T ‘ung scene depicting the deer figure, trees tung ying yan, peach fruits, streams flowing, ganoderma lucidum, flowers and plants. Pines of sika deer groups, or running, or dwelling, or match, or play, or foraging, different posture, a peaceful quiet escape, vibrant spectacle. The bottom blue book “qing qianlong year” seal character.
the model derived from the wanli period of the jug, the shape adjustment, pen painting vivid and exquisite, for the qianlong dynasty important large display device. “Hundreds of deer statue” is also called the “hundreds of lu”, because the deer with “lu” homophonic, providing promotion into lu. Deer for birds, and seocho ganoderma lucidum, peach, tung symbol of immortality, crane of live will come loose.
the best deer statue is the most colorful porcelain qianlong palace early production, if the honour of grain, show a landscape picture scroll, shows the hunting qing dynasty important mulan autumn Xian. Mulan for manchu, meaning “whistle deer”, autumn autumn Xian refers to hunting. This is since kangxi twenty-two years ceremony held almost every autumn, this is not a hunting for entertainment, but it is of great political and military significance. Emperor kangxi to exercise military, hunting grounds in the north of chengde opened up in the fall of the year when hunting with the eight banners soldiers wore a deer head, crowed mouth learn deer in the forest, to seduce the opposite sex, deer out of camp. Emperor qianlong “progenitor” cherishes, also command the court painter lang shining to live down, jingdezhen craftsmen did just as the picture, the qing dynasty is important activity to the deer.
best lu qian age:
qing qianlong magnetic tire the colour blue ear the deer statue of
Sue rose this wonderful beautiful porcelain belongs to a small group of qianlong drive makes the deer, the work is very exquisite, and act the role of blue color therefore ears, and compose Huang Cai. Both Beijing and Taipei Palace Museum collection, the blue ear the deer. Held in Taipei in 2008 “the gorgeous color porcelain: qianlong ocean colour” exhibition, there are a pair of blue ear in the collection of the Palace Museum in Taipei deer statue, see focus, pp. 156-8 exhibits 51 (figure 1), the curators Liao Baoxiu related discussion in page 25. Beijing’s Forbidden City also has a similar example, see figure Feng Xianming and GengBaoChang co-editor of “the Palace Museum collection: selective dissemination of qing times porcelain” 279 no. 12 (Hong Kong: 1994). Another example of blue ear the deer honour should be the Mukden palace (now liaoning shenyang imperial palace) or the jehol xanadu (now the hebei chengde summer resort), has been included in the nanjing museum collection, it was in the hospital held in conjunction with the flagstaff house museum of the Chinese university of Hong Kong in 1995 the qing dynasty Kang Yonggan kuan “exhibition, as shown in the catalog no. 86. Jing jia tong library museum collection example qianlong blue-ear deer statue, mainly because of the help of mygeeto mineko iwasaki baron (1851-1908) and baron mineko iwasaki small “too old Tibet (1879-1945), pictured in the static hidden jia tong qing dynasty porcelain jingdezhen kiln の beauty, focus, pp. 68 no. 58 (Tokyo: 2006). In May 2005, at Christie’s in Hong Kong have also clap a case of qianlong blue ear the deer (lot no. 2188).
existing qianlong the deer style variety, the most common is acted the role of gold red ear, such as auction at Christie’s in Paris on December 13, 2017, 98 items (figure 2), and a few cases like this items decorated with blue ear, I have ears. In terms of composition and painters, such as the gap is quite big. Therefore, act the role of blue ear is particular, because they are not only used the same colored enamel material and style, the layout of the group of deer mountain is also the same. If a detailed comparison, the museum, nanjing museum of Beijing the imperial palace, the static jia tong with this items, you can find various cases of describing the same; The only difference is that, compared with Beijing, Taipei and nanjing collection this items and static jia hall collection or swapping places the color of the female deer, if use white instead of red, brown, and vice versa. In addition to the occasional changing color, all blue ear bottle stag layout and style.
this fine decoration with colored enamel material preparation. It is worth mentioning that Beijing palace of professional workshop colored enamel material will occasionally send it to the jingdezhen imperial kiln, as well as the house painted colored enamel porcelain workshop supply material. As early as six years of yongzheng (1728), the qing documents have records, similar situation may also apply to the qianlong dynasty jack. But this items (and some approximation) ears of blue color extremely unusual. Famille rose porcelain mostly adopts ordinary blue color, but this lot of blue color is more soft and lucidity. But the blue bottle ears, also found in the Palace Museum collection for example qianlong colored enamel bottle rolling road, jin wen. According to the color of porcelain statue, can see the Palace Museum hidden treasures collected 39: colored enamel, enamel, pp. 36-38 no. 29-31 (Hong Kong: 1999) (no. 30, figure 3). Wipe the blue color of the ear, and act the role ofing Huang Cai therefore and flowers lines of 2 cases of qianlong 盌 enamel blue very close: a 盌 by GeDi ai (Ernest Grandidier, 1833-1912) bequests, American made Asian art museum in Paris, see figure Xavier Besse by “La Chine des porcelaines” on page 127 no. 49 (Paris, 2004); Another 盌 is nakano loyal aso old Tibet, by Christie’s in Hong Kong in June 2011, clap a (lot no. 3650) (figure 4). Quite comparable to ponder, two 盌 also adopted the deer statue of ears blue Huang Ercai give priority to color.
the best deer is not only based on the refined enamel color material, its painters get, also is a master of painting porcelain, the skillful craftsman of such court solicit or painted porcelain in jingdezhen imperial kiln, or at the court. After painter of elaboration, this lots of vegetation and stag detail, strewn at random have send, meantime crags and lined with trees, artificial vertical and horizontal. In addition, the mountain brook also vivid realism, the author more artful monarch space, make of deer roaming, composition density properly. Bottle of deer look natural, action, and the landscape around the pattern, is reminiscent of Bohemia jesuit missionaries sichelbart (Ignatius Sichelbarth, 1708-1780) “the deer figure” roll (figure 5), which is now the national Palace Museum in Taipei. Admittedly, regardless of whether they are nowhere to be seen or traveled landscape deer figure (e.g., adenauer “the deer figure”), or the number of deer fewer paintings, all by the qianlong emperor xi by; In terms of the latter, can see the famous European missionaries and artist lang shining (Giuseppe Castiglione, 1688-1766) made by the “apple wild sing autumn” and “qiu Lin stag”, the former by Christie’s in Hong Kong in April 2000, clap a (lot no. 518), the latter also at Christie’s in Hong Kong in May 2005 to clinch a deal (lot no. 1207). Special interests, “qiu Lin stag” (figure 6) images with the items and its approximate case is close. The number of deer, with a look of porcelain statue of silk scroll paintings and all have to. Both draw pan yu QiuQu ancient pine trees, hanging scroll painting has the prospect of green peak and the stream, the porcelain statue of seen summit.
in the aforementioned “gorgeous color porcelain: qianlong ocean color huang, curators Liao Baoxiu had to investigate Taipei national palace of a pair of blue ear the deer, mentioned that she found in the” work file “of a record,” work file “is Forbidden City office royal size affairs (main) under do yangxin temple created all of the company to undertake the work of archives. Liao Shi pointed out that “hundreds of lu” (based on “respects” name is therefore is the ancient bronze shape) fire in the early years of the qianlong, and mention the qianlong three years (1738)
in June: “work file” a record of “the color best eloth ears a, so fire don’t handle.” (see the “gorgeous color porcelain: qianlong ocean color page 156 no. 51). Liao Shi reasoned that the statue of “hundreds of lu” namely “the deer” statue, with a pair of blue ear in the collection of the Palace Museum in Taipei is similar, and on the basis of the 2 statue dating to 1738. But must mention is that the static jia tong library gallery collection, is published without ears best deer statue of orphan works, see the figure of the static hidden jia tong qing dynasty jingdezhen ceramic kiln の beauty “69 no. 59 (figure 7). Handed down the statue of the painters, with all blue ear the deer statue (or all) is one of the more common red ear the deer are utterly different.
somebody points out, the qianlong emperor in 1738 to restore the royal autumn, hunting deer statue or for this series of fire. But illustrate the expert’s khalid (Mark Elliot) think, Qianlong Emperor was back in 1741 and see his book, “the Emperor Qianlong – Son of Heaven, Man of the World, 64 (New York: 2009). Beijing Palace Museum collection 1741 lang shining as the whistle deer figure (figure 8), comparable to the visual for this said the case, because the painting should be described in the first line in jehol circumference of qianlong 1741. Whether restore fall hunt year 1738 or 1741 years, the deer statue is possible is to commemorate this event. This batch of the deer statue of binaural choose blue color Huang Er extremely unusual, seems to be not seen in other works, on the basis of inference, that a small group of blue ear is indeed specially, or for the memory of a special celebration. In view of the blue ear statue of painting enamel work concentrate, the possibility of higher from 1741, because of the gorgeous color porcelain: qianlong the colour as mentioned in the preface, the author of quality in the collection of the Palace Museum in Taipei qianlong enamel colour or the colour in, qianlong five years to 9 years (1741-1744) the majority of products.
about this batch of coating in the prime years of qianlong period, there are some other clues. In recent years, studies have shown that draw on enamel glaze pantone jingshan water quality imperial porcelain (e.g., blue ear the deer), restricted to ceramic masters b (1682-1756) at the helm during the imperial kiln. If so, can expect this batch of the deer honour should be the fire in 1756 or before. In addition, a strong forestry professor 勠 force having Qianlong reign-mark “style, and this items and the approximation of the years, blue ear model with lam inductive” sixth class “肳 close, see his book , in the Oriental ceramics association. 2009-2010, 74 – page 24 issues. Lam thinks, this kind of model gm in the late 1740 s to 1780 s, but the range, or to be a little bit in advance or delay (i.e., probably began in the early 1740 s). View of the existing cohort clues to this lot for the cases of blue ear the deer, is likely to fire in 1738 and 1756.
the museum collection a picture as folios best lu figure, draw the approximate trees deer, and inserts the group of fairy. But must pay attention to is that the word “best” in the Chinese art subjects, nine out of ten symbol number of audiences, rather than the real number. The title of the painting deer says the best subjects. Painting and body as shown in the “deer”, with “lu”, lu fu also, shot auspicious meaning. Therefore, “the deer” metaphor “best eloth by day”. The lots of composition, also the clue of two “best” : one is the cypress trees in the picture, for “parker” and “best” in Chinese; They are mixed in the brown deer, red deer in brown, white deer, and “white” harmonic “best”. Quite comparable to ponder, the deer there are male and female white deer was only on, because the white deer is fine. Jin dynasty scholar ge hong (283-343) “holding tastes” have “LuShou chitose, fae and partner”, in addition also has “for the pale deer in one thousand, and five hundred for the white deer”. Thus, white deer to prolong life of the sign, on behalf of the thick fu chong DE.
according to Chinese traditional culture, deer have some familiar auspicious implies. Life of old always in sika deer, cranes, flat peach with pine trees, so the deer and the content is symbol of longevity. In addition, from the deer is the only can find ganoderma lucidum immortality benevolent. This painting colorful ganoderma lucidum, line with fruitful peach sticks, pray for the immortal heart be vividly portrayed. To sum up, the visible “the deer” theme (flat peach and ganoderma lucidum YouRan) with live corning’s hope. nullnullnullnullnull
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