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The color in the qing dynasty porcelain
value: RMB twenty million
special: (yuanmingyuan tears) Japan than gallery France it marshal, Japan ship wood old Tibet special locations, will be the second family.
pury time: November 20 to 22, 2018,
to promote company: qing dynasty imperial color porcelain museum
will promote: the fall of 2018 locations will
note: perfect appearance, such as new, originated from France in 1916, the captain of the rothschild family it descendants of the old Tibet, with original tag a collector number of the family of marshal it, looked through auction record at home and abroad, the museum records, found no have the same colour collection records, suspected orphan works only, please refer to the Beijing poly auction 2010 autumn auction will clinch a deal valence is 22.4 million yuan RMB 4686 qing qianlong pastel flowers don’t open the bottle gourd bottle, qianlong once, CiYi diligence, angel Que tao b fervently dragon’s heart and set all previous dynasties ancient jun, enclosed the quintessence of LiangQi both at home and abroad, so as to the royal plant of skillful craftsman, porcelain, for child, colored glaze, laying molded eternal don’t meet it. During which both advocate restoring ancient ways, innovation, also brought about by the new technological breakthrough and art are to write an important page in the history of Chinese art history. Referred to as “tao,” : “to qianlong, hua Ru extremely yi, delicacy, a few in the creations.” The flowers don’t open a for the qianlong imperial porcelain enamel ware of the value of our products, through Jane by collectors.
this product in qianlong drive makes the color of porcelain is chic, taking gourd shape, and fair, decoration is elegant and luxuriant, connect body with all kinds of flowers, nursery clusters of rich and flowery, set each other off, up and down the yan, each species, be distinguish, make the person as if place oneself in BaiHuaCong, too many things to see. Its unique design, the picture is incredibly don’t disorderly, Mosaic distribution have primary and secondary, and stretch, see and feminine appearance. The meaning of a passage of exquisite, color material shes bright, colour collocation and conversion of miao and fear of nonverbal table. Thick bottom turquoise glazed, even run, the center book red color of the paragraph, dignified neat, sufficient international gold week place daub, fully implement all finished up and down, everywhere highlight unparalleled in qian long year magnificent and noble.
flowers don’t appear in process of outdoor decoration prosperity of the world, take an examination of its origin, it yongzheng once a start-up phase, see more of the bowl, leave space between the Mosaic, like, there is no density of material object can see Beijing’s Palace Museum collection, developed to perfection after the reign of qianlong and jiaqing early still see. Its overelaborate procedure, the abundance of the painting, painting the colorful, is by no means the power of several men can become, as for the color of porcelain eagerly. In the color porcelain of finished, finished this is good work with cunning work. If flowers don’t open, no good workmen composition design, skillful craftsman to apply new-developped color wash, no one is into, the pet? So the fire is fastidious.
in the first place, need to be issued by the office office created drawing, design the flowers in the picture, the delivery of royal plant as powder, its idea is the most wonderful way is an image of all the awaken of spring is abundant and, without a sense of build by laying bricks or stones pile quite think of opportunely. Secondly, royal plant craftsman will original copy outline on the white porcelain body, be sure to agree with the original, at the same time to take care of the table is different from the unbalanced characteristics of paper. Ornamental design is that all flowers don’t open, so the copy work the hardest, and copy the drawing for the foundation of ShiCai painting, once the wrong, global change, how it was allowed to color material how hand painting, also cannot make up for the romantic charm of the original picture. Third, the color of material preparation is the first of porcelain, above the flowers not to open a device can see color as more than 30 species, therefore, before painting, color porcelain must be equipped with all the pigments, nearly one hundred kinds of variety, all needs to debug. How many manpower to complete the work to use, cost much time, how much cost in advance, you can imagine. New-developped finally, in the wash, only painter several people, through the work ten days before into the kiln. So a success and lasted for several months, are hugely expensive, far from other imperial porcelain. So of heavy and complicated to will certainly to flowers don’t open fire, amplifier are more rare.
review and private collection, a few hundred flowers don’t open, qian cut but five cases, both libraries in the world each big museum, did not see with the product of the same, the more similar case is China’s national museum collection “qianlong pastel flowers figure gourd bottle”, see the Chinese country museum collection of cultural relics research series, porcelain volume, the qing dynasty “on page 159, 104. This noble and elegant, glazed yan beauty, be permeated with a unique artistic charm, for all the flowers don’t open vessels, shape beautiful, highly biggest, the most pure, painters shall be for the degree of exclusivity.
(qing-hua huang from)
source: sotheby’s Hong Kong 2004.04.25, Lot237.
the vase and flowers, flowers painting
during the reign of emperor qianlong is the height of the qing dynasty social development, especially in the field of art accomplishment, jingdezhen imperial which assemble a generation of masters a skillful craftsman, regardless of the quantity or quality has reached the zenith of history, reason has “ouchi out sample, hand in a royal plant fire”, among them, the famille rose from the original multi-purpose red and white color, suitable for the development of a variety of color. Pastel is accounted for in the qianlong dynasty porcelain is one of the larger varieties, on the basis of yongzheng porcelain and has new breakthrough. Part of the qianlong pastel inherited the yongzheng period in the draw on the craft of fatness shu lang gorgeous decorative features, such as common flower dish, bowl, small folding branches, face basin, the character of the pen container and bulk implements deer head statue, etc., and in addition to the water pastel painting, and draw pastel in color powder enamel or color to medallion and other varieties. In addition, there are some within the famille rose porcelain wall and bottom of the foot green color, commonly known as the bottom of the green in green, this style has been popular in the late qing dynasty and republic of China. When pastel common grain is very rich, landscape, baby play, nine peach, melon, deer, birds and flowers, and flowers, the eight immortals, cloud bat, longevity, tangle branch flowers, flowers, butterfly, ball, etc., including shes the most beautiful and beautiful flowers. In pastel flowers are not open bottle gourd, for example, in the green green bottom very shallow light, as the characteristics of the qianlong dynasty, to meet the light side view of the glaze has a tiny wrinkles, like wind and form thin wave, calm water of the lake are attached to the craft and the green color is very close, almost no glaze phenomenon. And the table covered with flowers decorative design in the whole, this style commonly known as “hundred flowers don’t open”, numerous beautiful pattern reveals the pursuit of the perfect rulers in the empire’s prosperity and aesthetic preferences.
“perfection”, “strives for the best”, is a kind of thinking mode, its basic meaning is “hope do perfect”, reflect the development of people in the social life of things of a positive mental attitude. From the dialectical point of view, absolutely perfect thing doesn’t exist, only relatively perfect sense, but “perfection” also embodies a pursuit of the spirit of progress and improvement. Emperor qianlong claim to be “is the old man”, in the hope that life is “perfect”, so it has self summary of life “s martial arts”, and “drive makes perfect”, to write full, han, Mongolian, Tibetan, four kinds of style, built monuments, le, can be found in the heart. Arts and crafts in terms of the deer, respect, the ancient philosophers diagram and the “hundred flowers don’t open the” decoration pattern is vividly embodies the value orientation of qianlong “perfection”, hence is deep love, as a famous brand of famille rose porcelain, through Jane by ancient and modern Chinese and foreign collectors. “Hundred flowers don’t open the decoration technique creative in the yongzheng period, popular in dry, jia two dynasty, xu of water flow, jai said porcelain are:” porcelain painting full of flowers, a variety of shapes every one, not thousands of flower “, it is also called the “flower heap”. Yongzheng once flowers kam to still belong to web-mediated communication between flowers and flower does not fill with Mosaic, but leave gaps; In the qianlong period, along with pastel gradually become the mainstream of porcelain, flowers kam land as an important variety of pastel, also gradually mature, there are many different kinds of flowers, bright color material color and painting meticulous, in the heyday of the period. This place in pastel gourd bottle, the body lightsome thin, small, pleasant, the outer wall body painting baihua figure, flowers, colorful, fragrance is thick, as yan. Flower species feeds, too numerous to distinguish, make a person as if place oneself in BaiHuaCong, too many things to see, scrutinize its unique design, colour collocation and transformation of fear of nonverbal table, color material it was finished, particularly highlighted unparalleled in qian magnificent and noble.
the machine table of mesoscopic bottle, artisans in pastel painting Chinese rose, peony, chrysanthemum, yuhua, thorn plum, crape myrtle flower, feather flower, orchid, morning glory, cosmos, cockscomb, begonia, lily, cornflower, sorrel, plum blossom, lotus, lotus leaf, corn poppy flowers and Mosaic, with body, up to dozens of domestic and foreign varieties gathered in one place, suitable concomitant is clever. Various flowers, competing doo-yan, namby-pamby ecru, blooming, symbolizes the auspicious meaning of “hundred blossoms” in delight. And flower line, color and layout are seen capability, not only beautiful also very vivid, in realistic in harmony with, even the lotus leaves scattered bug eat by moth of vivid performance, also attractive. Qianlong emperor handed down from the love of flowers can be seen in paintings, poetry, Zou Yigui have carefully plotted “hundred flowers” submission of secret memorials had great differences qianlong emperor, and deeply appreciated, qianlong emperor also for “hundred flowers” write down the topic Zou Yigui flowers volume of full-length masterpiece, later generations are cited, and the book topic on porcelain, such as guangdong museum collection of pastel flowers of rock bottle, its official script on the royal acknowledged “Shi Ju dedicated shear Wan, or by the drift of build by laying bricks or stones ShiSong dian”, is from a poem “topic Zou Yigui flowers”, take the poem in the two lovers, to describe one kind of flower. (see “at the beginning of the qing dynasty the emperor drive makes poetry collection” volume 12, volume 16 Shi Qu Po shu, “the draft history of qing” recorded Zou Yigui “taste for flowers, flower a poem, in, in deep appreciation, entitled the rhyme”, is the matter. Zou Yigui (1686-1771), wuxi, bachelor of officer to the cabinet. Can picture good poems, in particular flower representative works include “the fruitful achievements figure”, “flowers”, “five gentleman figure”, “akiyama xiao temple figure” and so on.)
purple flower, with the most abundant, chrysanthemum, its form different color varieties. “Out of the blue toilet tori, surname is chrysanthemum spectrum of the original. Chestnut set every GuoZhou, your should use the door “, this is the qianlong emperor chorale “aster” a poem. In side of peony, peony along the blue small chrysanthemum is very cute, adorned in the side, spread its sleek smooth lake blue foil with colorful flowers Ming yan, its shape is like lang shining “flower drum changchun figure” in accompany with Chinese rose, carnation, charming flower blooming. And the chrysanthemum, and marigold is most the love of the qianlong emperor, “gold for disc jade for plexus, 熻 熻 Xiao Lou mud in the wind. Close to the xuan order ZhuWanShou, general with “origin positive color, this is a painting of the qing emperor qianlong for court painter Jin Tingbiao” enjoyable “the 18 kinds of autumn” marigold “fude a rising. Marigold, is a very common brews, called “flower drum”, bring good luck, and deep love of emperor qianlong. In the fall of the eleventh year of emperor qianlong (1746), a poem, the villagers have into marigold, life of zhang ailing figure “cloud:” kingle layer also fold, d the shallow depth. Chrysanthemum show, with duct kwai than sunny heart. HuiShi reward in idle the mood in the static. Carrying heavy green place, also to life in the capital “; In the “leaf valerian 瓐 Cong is green, amber is really yellow flowers. Bin wind said August Shang sentence, often Yi fairy ZhuangZhanLou Rang “in this poem, qianlong of marigold flower shape design and color is the very image of the metaphor. Poems and qianlong imperial chorale “marigold” cloud “spend big cups of gold up with anger, Rang Rang Joan recognized the red dew light, and a cloud plans to offer the nan shan life, knew hua yao ci by sealing, hong li from number” is the old man, “pray to the wishes of longevity in this song the topic Qian Weicheng four seasons flower, marigold, got fully reflected, but also deeply left a flower of the Chinese nation culture unique to mark.
powder enamel to the qianlong period, both in technology and performance has reached the highest achievement, production excellence, product is very beautiful. Three generations of health, harmony, dry powder enamel absorbed in art style more Chinese painting composition, color and other traditional techniques, vividly embodies the image of nature, to draw draft in pastel. Especially for court created porcelain as artisans, under the emperor’s aesthetic orientation, porcelain for paper, in the painting of flowers and the decorative Huang Sheng, Cui Bai, Yun south field etc. The influence of the painter, shows the gas of the prosperity of the royal. Qianlong emperor has strong interest, on the western because of its various hobbies and talent, to also have dabbled in painting, therefore, a thorough knowledge of the missionary painters in China, such as lang shining, attiret, sichelbart, Joseph panzi, joannes damascenus salusti, Louis poirot is his imperial painter. By lang shining, attiret most close relationship with him. nullnullnullnullnull
原创文章，作者：lostcat，如若转载，请注明出处：http://culture.ceramicsj.com/2019/01/28/qing-qianlong-the-colorful-flowers-dont-open-the-colour-longnu-ear-big-bottle-a/ |
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