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Qing yongzheng Blue and white tie up branch lines the best ear gourd flat pot flowers | china porcelain
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Qing yongzheng Blue and white tie up branch lines the best ear gourd flat pot flowers

Qing yongzheng Blue and white tie up branch lines the best ear gourd flat pot flowers

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qing dynasty blue and white porcelain ceramicsCreation

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size 53 cm high
work classification s qing yongzheng
value GBP 1200000-1500000
price
  • did not provide a
Chinese porcelain and craft boutique 2018-11-06
Christie’s London co., LTD. auction auction in November 2018
six-character seal character models
description Source: important European private collection, the collectors of grandfather bought in 1920-1943 from the Asian
this flat pot large bold, shape neat, the grain is refined, for the blue and white at the beginning of the 15th century. Studious good ancient yongzheng emperor, drive makes craft from my father, s emperor of archaize style. 15 (superscript th) century, blue and white porcelain is common, the yongzheng official kilns better machine varieties of blue and white. In the qing dynasty famous du tao guan b (1862-1756) from 1862 in jingdezhen, official kilns at the helm of affairs to effect to the qianlong period, remarkable achievements, especially in the archaize kung fu himself. In A.D. 1795, the qing blue pu with the jingdezhen TaoLu described in volume 5 b porcelain making “and imitation of ancient ancient jun ZhuQi shaw, all match; imitation of various 泑, there is no greater.”
flat pot calls on bottle again, distinctive modelling, a classic pattern for Chinese porcelain, is deep as a collector. This shape comes with mood, and very exotic culture origin. It is said that Chinese Ming porcelain art style, is inspired by islamic treasure and glass apparatus, see b. Gray, “The Influence of Near Eastern Metalwork on Chinese Ceramics”, “The Transactions of The Oriental Ceramic Society”, volume 18194-41 years, on page 57, chart 7 f. However, round abdomen flat body, neck hung of flat pot shape as early as in ancient Greece. Crete east village baillie caster have been excavated in lu, a color pottery, brown glaze painting octopus ornamentation, Minos late works, estimated that in 1500 BC, during the shang dynasty in China, see Spyridon Marinatos and Max Hirmer, the Crete and Mycenae, New York, 1960, 87 chart.
one of the early Chinese flat pot for round body, short neck without the bulge part, like two 盌 before and after the bonding. When Chinese flat pot is up and down to tyres, Minos flat pot to collect before and after the child. Unearthed from ancient Assyria empire capital Nineveh example seen in another flat pot shape, flat and round belly, two shoulder department, belong to the parthians dynasty (150 BC – AD 250) after the late production, equivalent to the Chinese han dynasty, the British museum has hidden. Sasanian (A.D. 224-642) painted pottery in the see also flat pot shape, round body stand up after kowtowing, buy the neck from ear to ear. Declan Iran’s national museum, small, ShiSong green glaze, unearthed in The Iranian city of susa, and Parthia flat pot, also with China as The fifteenth century The first class of flat pot shape, neck set ears, skin type to see “The World ‘s Great Collections – Oriental Ceramics”, volume 4, Iran’s national museum, Tokyo, 1981, 12 color chart. Collection of another sassanian dynasty (A.D. 224-642) green glazed pottery flat pot, unearthed from Sue impel the city, with the above description, 101 black and white pictures. Two POTS on both sides of the arch before and after the curve is and round face are connected by flange, and the treasure of late model, with the 15th to the 18th century under the flat pot body is similar, can be seen from this product.
similarly, China liao dynasty appeared similar to the shape of flat pot. Inner Mongolia tombs unearthed a green glazed pot of 1965, a total of six series, on both sides to hang in the saddle, see the cultural essence of Chinese ceramic roll, Taipei, 1994, pp. 164, no. 560. The pot zone of rectangular, the versa, different from common example. Liao dynasty ten to eleven century flat flat pot pot with yong xuan Ming dynasty period of great similarities, and is closely related to the device. Christie’s past patted two cases for reference: the ace in the division of special collection of announce type flat bottles of blue and white gourd, Hong Kong, November 27, 2013, lot no. 3111. Yongle blue back pot, London, November 6, 2007, lot no. 156.
Kuwait towers rick raja museum a Syrian green glass flat pot, made in the late seven to eight century, comparable to China’s tang dynasty, to blow mold and cutting method, see http://www.trmkt.com/glassdetails.htm. Turkey in the 1930 s, with flowers, dongya south unearthed from the same big pot, tarsus with see also the mia dynasty and the early pottery abbas. The pot of binaural neck than shoulder. Despite the western region of the glass art in the tang dynasty, the local treasure is likely to be more close to the prototype. Washington Foley, a Syrian art collection plates, size slightly larger, in the middle of the thirteenth century, and hoist type flat pot abdomen approximation modelling, also has similar elements with the pot back, see http://www.asia.si.edu/exhibitions/online/islamic/artofobject1b.htm and London Christie’s auction in November 2007, the above details. The plates with Christian characters, calligraphy and geometry, and birds and beasts design for decoration, for copper by the description of the most isolated cases of its modelling hoist type flat pot can be correlated with China, including garlic mouth, ribbon ear characteristics, etc.
from jingdezhen kilns in the early 15th century hoist type flat pot style of Chen of dispute, the lower abdomen have different proportion, pure blue and white decoration. Jingdezhen imperial kiln sites have been excavated in the early year of yongle, craft shape slightly larger, see jin-quan he and Stuart yuan jie, “jingdezhen bead mountain yongle jintong unearthed from imperial porcelain exhibition”, Hong Kong, 1989, pp. 92-3, no. 5. The blue of the British Museum is a relatively small examples, see j. Harrison Hall, the Ming Ceramics in the British Museum “, London, 2001, pp. 110, no. 3:21. Yong xuan dynasties flat pot style, with large dainty, decorative light element. Yongle see more oval, no money; Jintong see more oblong, hukou book blue cross section below.
the scholar thinks, this kind is influenced by islamic Arab style of blue and white flat pot, only to supply the local market, that is not the case. Nanjing imperial city sites have been excavated in the yongle/jintong of blue and white porcelain pieces, decorative pattern and the above at Christie’s in Hong Kong in 2013 made the hoist type flat pot, apparently of the fifteenth century palace products, see the traces of Mr. Extraction: nanjing Ming palace unearthed pottery and porcelain “, Hong Kong, in 1996, on page 48, no. 52. Effect to the 18th century, flat pot still belong to the imperial city, such as the product, can be seen in the early 15th century blue and white flat pot made of porcelain far-reaching influence on later generations.
Shanghai museum yongzheng flat pot, small size, shape and decorative XuanDeBian pot as the blueprint, see ming-hua lu, “blue and white porcelain appreciation in the qing dynasty”, Shanghai, 1996, 16 chart. Another small and exquisite yongzheng flat pot, garlic, on both sides of the ears, the same mission style, see Qian Zhenzong, “youth generation of porcelain objects”, Hong Kong, 1994, pp. 84, no. 97. Decorative flowers around branches of this product were also taken from the fifteenth century royal porcelain, are often used in mei bottles, tree and other container, this article the authors skillful craftsman, applied to the flat pot also like nature itself. Beijing’s Palace Museum hide a important yongzheng blue flat pot, short neck straight mouth, on both sides of the ear, flat feet, grain and inscribe is similar with this product, see the Palace Museum hidden in the qing dynasty imperial kiln chinaware, volume I – 2, Beijing, 2005, pp. 104-5, no. 41.
flat pot for the container, but large, thick, ‘such as this, but it is said that for ornamental purposes only. Small, minimalist design of similar flat pot undoubtedly has practical function, size and weight and this product is hard to use. So large controller suspected to whitewash the emperor qingong, placed in the wood, furniture, or designed to put the court drive makes rarities of the dado. This flat Juan xiuhe pot of elegance, unique style, maybe just for decoration palace, an important in rare few cases, or on a wide variety of dado. Rinse fang zhai is still save the dado of Beijing the imperial palace, the former put the imperial art, can be in accordance with the reference million, Wang Shuqing and Liu Yanzhen, Sue rose and Erica Shipley, “qing dynasty palace life”, the vikings, hammons voss, 1989, pp. 164, 224.
the beautiful blue and white flat pot and pleasing to the eye, overcome material desires, all-encompassing art element, extensive and profound culture behind, believe that made its first master the yongzheng emperor fondle admiringly.


source:https://auction.artron.net/paimai-art5134930171/

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