Qing yongzheng pastel landscape character lines vase

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yongzheng once, sejong three-dimensional 禛 country prosperous, as the wind of the emperor, broken house, new thinking, open Wu Ding. The emperor xian, palace is passion for literature and art, noble and pure taste, play fun show. Hence in this dynasty, jingdezhen porcelain of new hair, qunfang, colour, more the kangxi. If blue and white, bone flavour is clear; If the glaze, chun rather; If the color porcelain, elegant and magnificent, eye for poor.
this product ling square opening, the hard shoulder, square abdomen, abdominal body line is slightly oblique, hurtling force potential, to the tibia closed, and go to the foot. Muddy apparatus is bone obvious, but air cool setting and not hair, has a spirit of onlytoya college. Body two face painted pastel fairy, a garment with peach, held a robe. Both again to ink painting landscape choleric, Jiang Lan fishing boat. The color ink two scene, especially permeability of imperial palace at the beginning of the qing dynasty painter wang yuanqi demeanor. Mountain trees dancing, dry ink halftone, determining the what have they judged the yuan ancient pen, think big. Wang Sinong with so yuan huang gongwang calligraphic style, based on generation, as the backbone kangxi imperial palace painter, extremely heavy by the qing court, the court paintings are far-reaching. And jingdezhen, specially for the supplied royal play more within palace painting sample for this again. This bottle of ink and wang yuanqi picture meaning, god is a general principle.
the MoCaiHua surface scenery, is also the dough don’t drive, is the dark yongzheng poetic heart. Yongzheng, though the throne in the system, and field, heart LeYue landscape, perpetual mountains jianghai, much of the fishing qiao geng read poetry handed down from ancient times. This bottle on one side of the painting to dye jiang thatched cottage, cottage half hidden in the side of the cliff wall, after jiang zhu, will have a choleric meet before. Thatched cottage in a man open the window surface river, river light ink, rebellious wave. Three-dimensional 禛 has did: “hear Long turbulent rang Long, curtain opening on the great river. Garden you less traveled by, and that the volume on the south window.” This is the picture. On the other side, the stroke have blue mountain oblique diameter, tree houses. Jiang color is open, a fisherman’s wear domain dai, pole punting. This is yongzheng heart “spring rain is always idle”, “one lake romantic poetic term for boat carrying” true portraiture.
the pastel color ink bottle wall, elegant qian li, SeYun wind-induced, ancient no, is yongzheng start-up. Check according to the b “chronicle TaoCheng inscriptional record”, a “new color ink vessels. New landscapes, figures, flowers, feathers, imitation and shades of meaning.” The recorded. The chengdu in yongzheng thirteen years, it is b during the yongzheng six years at this point, the royal which records of the new products of catalogue. The two new system, according to the meaning, the former as “ink”, after the latter for the mentioned in the “famille rose”. In this paper, two records are linked together, is known as the relatives of the nearly. But when yongzheng both act the role of a device, check the difficult see, currently only know Beijing’s Palace Museum collection a brush pot, is the joint of pastel color ink, hence say exclusivity.
this bottle shape appearance grand, enamel tian and fat, pastel wishful auspicious, color ink guge static lang. And combine the ancient painting style of wang yuanqi, sejong poetic field in one of the emperor, is yongzheng once the shape of porcelain, the glaze, the color, pictures, etc. Comprehensive representative works. The billet grinding, repairing the glazing, painting color is meticulous, hard, future generations should be for jingdezhen by royal special desk inkstone. An inch of a small bottle of its own heaven and earth, and heaven and earth in the bottle, idea that reflects the yongzheng emperor’s landscape and auspicious hope for.