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盌 exposure, six disc type, shallow arc and short ring foot. Wall engraved three long stem bend around the lotus and a stretching lotus plants, inner bottom plane concave, the outer wall light. Perfect ShiSuYa ivory white glaze, mouth along the dew tire at present solid white porcelain body. Sources of
bought on June 12, 2000 from London ace kerner’s western private collection
London he bond, on May 16, 2013 lots 7> brand
firm Fried tea science west shu, I spend porcelain cut ruby
– “trial court Fried tea”, su shi, dare to change more than five years (1072)
poem excerpt from the trial court Fried tea “, is the northern song dynasty writer su shi in dare to change when hangzhou sentenced to five years to write down the miscellaneous poems. Mentioned colleagues Wen Yanbo (northern song dynasty prime minister, the brand, firm and set) west of sichuan ancient Fried tea, tea liquor into a pattern of kiln white porcelain, tang red, visual effect like a faceted ruby. These two words, though never mentioned the word “white”, but alive tunnel kiln porcelain crystal restrain propionibacterium acnes, and kiln ware at the time of elegant and well used by scholars of the tea set. Interestingly, about twenty years later, in the yuan on eight years (1093), su shi was appointed to the I, su shi and kiln porcelain are visible. Its “I thank the arrival list” of a few words of “I am not diligent T-shirt lowe, trimming ready. No bigger than to suffer, and QiNian. Also the hometown of fish, birds, to the scene” more, more show the heart is home countries’ scholars, dedicated to manage I state of mind. After su shi, “I spend porcelain” a language widely used by scholars, such as Jin Renliu qi (1203-1259) “to dive” remember “I spend CiOu, color world white”, visible to the late jin, a pattern of kiln porcelain still deeply praised by the teachers of the law, and makes the durable kiln porcelain in the later.
this 盌 the shape of our elegant quiet, fetal bone white, the glaze and air moist, light; a knife “I spend porcelain” in the boutique. Comparable example, almost The same, The shape of a decorative design for original Oppenheim, courtesy of The British museum, description in “The World ‘s Great Collections: Oriental Ceramics”, volume 5, 20 chart. Another similar cases have description in Tokyo in 1987 published “China ceramics: a light museum collections catalog”, in 2009 after the Christie’s auction in Hong Kong on December 1, and 1863 items. Also has a shape and size similar examples, but 盌 within lotus lines back to the different style, Tibetan museum of Beijing the imperial palace, description in “Chinese corpus – a ceramic kiln”, Shanghai, 1981, 90 chart. Alfred Mrs Clark and Dai Runzhai has handed to hide a shape similar to kiln 盌, 盌 pattern is slightly different, sotheby’s auction in March 22, 2011, New York, 167 items. |
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