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Ming yongle Blue and white flower grain fold along the sea tangle branches | china porcelain
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Ming yongle Blue and white flower grain fold along the sea tangle branches

Ming yongle Blue and white flower grain fold along the sea tangle branches

lots informationThe

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Ming dynasty blue and white porcelain ceramicsCreation

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size 41.4 cm in diameter
work classification s Ming yongle
value HKD 1800000-2800000
price
  • auction
special Chinese antique curios 2018-10-02
poly auction co., LTD. Hong Kong auction 2018 poly Hong Kong autumn auction
description Source of original collector

Japan
yongle blue and white porcelain, with jintong of blue and white in the Ming dynasty created the Chinese blue and white porcelain meaningful and elegant, the golden age of smart living. Yongle once kiln flourish, deck, song dynasty and yuan dynasty under the qi qian, as a model of a generation of royal porcelain art, create a work of very great, put together the collection of ancient and modern, the blend of Chinese and foreign style, the rich class style, glaze decoration widely, therefore not see before, our products, particularly clue, one blue and white, deep green color, style, great tasting highly of literati in Ming dynasty, means “ancient from the famous brand, its price is a few and Song Qi Lie yi”, by later generations.

this offer exposure, shallow arc wall, bottom ring foot wide, flat bottom of the sand without glaze. Whole modelling beautiful, made careful, clear grain, glaze color fertilizer jade-like stone, connect body to draw blue inside and outside decoration, disc close mouth along the sea waves lines for one week, both inside and outside wall paint tangled branches spend one week, bottom with bound branch pattern for the theme decoration, composition of a picture is a flower in the center, six flower vault. Blue and white bright color and painting is fluent, smooth lines and exquisite, abound administrative levels sense, for the same type of device, the high-quality goods. Glaze decoration with natural crystal spots, that is, is the use of imported green material is “green” su ma “pitting” iron effect formed by target, with distinct characteristics of The Times, one of the most representative implements for yongle kiln porcelain.

this kind of plate shape beginning in yuan dynasty, Ming yuan system, attaches great importance to the ceramic industry, in jingdezhen pearl mount royal apparatus factory, to the emperor yongle, political stability, economic development, greatly promoting the advancement of the porcelain making technology. With prosperity of prosperity in the jingdezhen porcelain industry and technology advances, embryo glaze yongle blue and white porcelain, with its fine, cyan, more modelling diversity and grain is beautiful and famous. Its modelling is rich, the royal porcelain porcelain plate CheFu magnificent, rich style, modelling changeable, grain is widespread, subdivided into 20 kinds, for being dishes. The folding of the mouth, exposure and fold along the shape, and each type of only size is differ, rare degree also subsequently and different. Blue and white grain of yongle period retain traditional pattern, and the influence of foreign culture pattern. Is the most common to the traditional lines around branches, branches, flowers and flowers, the wind flowers belong to those commonly used in the design of red fruit flowers. On Ming dynasty porcelain decorative plants, flowers and leaves are mostly natural and symmetrical arrangement: a present to natural, exquisite shape, so dish heart painted; Another is to create, slightly heavy spirit likeness, hairy leaves and heavy and complicated, adornment sex is a bit strong, such as disc along the painted.

there are two such dish mouth along the grain, one for common sea waves of grain, namely this offer flowers lines around branches. The latter obviously with the Middle East islamic decoration, is relatively rare. The same varieties saw a cocoon longquan mountain hall 1976 “longquan set fang”, page 252, chart, 763; See Taipei’s Palace Museum, the description in the early years of the Ming dynasty porcelain exhibition catalogue, Taipei, 1982, 102 pages, chart no. 37. Istanbul top card than the palace Museum, Yu Kangrui jun, the Chinese Ceramics in the Topkapi Saray Museum, Istanbul “, John Ayers, London, 1986, vol. 2, 601 chart. See Dave’s foundation collection, existing at The British museum, recorded in The Oriental Ceramics. The World ‘s Great Collections “, volume 6, Tokyo, 1982, 76 chart.


source:https://auction.artron.net/paimai-art5133143446/

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