Qing yongzheng Blue and white lotus flower grain ribbon ear ruyi bottle

• auction

UK private Sotheby’s old Tibetan
London, June 16, 1999, lot no. 797 (287500 pounds) price:

refer to: the Sotheby’s ‘s Hong Kong: Twenty Years “, 1993, p. 157, chart number 185
“─ yong zheng qing sejong cultural relics exhibition, the national Palace Museum, 2009, p. 207, chart II – 33

tang kiln preferred To one’s liking wishful
the qing yongzheng Drive makes blue tie up lotus flower grain ribbon ruyi ear statue of
– qing-hua huang
(b society founder, the Oriental ceramics association)
clear sejong once in the varieties of porcelain and the shape of innovation, an unprecedented ancient, still can see are treasures. Ribbons of ruyi ears, used to be called ruyi, sample for tang kiln new extractor, magnificent and pleasing to the eye, the shape of fair. Water flow zhai said porcelain, “” said 7 bottles” account: “ruyi, about six or seven inches high, giant body kill under feng mouth in short, more than at the beginning of the qing dynasty blue and white If pure glaze and shadow for ya.”
of this product is a good example, dignified Juan xiuhe, soft stretch, connect body to imitate the permanent mission of point makes all kinds of flowers around branches painting brushwork lines, cuttlefish stretch freely, proper layout density, blue and white color pale, deep, does not have xuan charm forever. Ears at both ends to porcelain plastic way to fix a satisfied style, stereo sense is strong, elegant and expensive gas, is a great place. Round to realize full bottles with beautiful spirit empty ears, on the overall visual effect to balance the beauty of false or true, makes the shape of sedate and do not break delicate. Outsole heart double circle books have six double travel model to come, “qing yongzheng year” font comely criteria, shu lang. Embryo glaze jade-like stone embellish is like jade, the beauty especially.
this product fully embodies the tang kiln of molding process and fire technology, highlight the eighteenth century palace porcelain making self-confidence and special, the most dazzling place is slender surplus the best type of beauty ears. If the achievements of the ears, you first need to molds, in order to make sure about size is consistent, at the same time, the sludge must demand consistent with the slab of the sludge, in order to obtain the same shrinkage rate, ears after demoulding, to dry at just the right time, with joint mud will pick up binaural and billet body, the cohesion of the technology is also very fastidious, be sure to keep the left and right sides is symmetrical, corresponding to the up and down, the thickness of the joint clay dosage, if slightly deviation, fire likely to occur in the process of shifting phenomenon, asymmetric ears, affect beautiful, serious cause implements deformation defects, therefore, forming process requirement of the high amatuer can reach. When imperial kiln artisans in b, the division of professional meticulous, to master the physical material, the existence of this team to complete ability, can achievement the artful beauty apparatus.
things, to rely on kiln fire. Burn-in kiln is important to keep objects placed saggar it smooth and unbiased, if there is a slight deviation will lead to deformation, because two ears radian is broad, and yongzheng once imperial porcelain is not common, so fire, fire must be gentle, and shortness of objects cannot be placed in the kiln fire, generally in the middle of the kiln, the kiln temperature stability, flow most gentle there. YongGan two dynasty, tang dynasty kiln has innovation more, there is no lack of shape of kit kat, in addition to forming the statics of, still need to kiln fire to achievement, therefore, our male from a kiln porcelain making secrets, knowledge of the kiln fire, can have don kiln of epic proportions.
the yongzheng emperor and antiquities, high taste, court making machines adhering to the “imitation must deal is, old zhao new also have origin”, the principle of archaize today, fill, yong xuan controller the character of the shes’ most had assumed the 禛’s favour. This product is yongzheng imperial kiln sums outstanding representative of ancient yongle blue and white. At the same time, by the product shape and decorative combination can refract the yongzheng emperor’s attitude to copy the ancient. In the pursuit of full copy ancient, the yongzheng emperor not only stay in this, and be good at absorbing essence of the power of art, for their own use, pay attention to the innovation in the traditional factors, draw lessons from the original process modeling and decorative design in a utensil ChouYi, compose new style with era characteristics, have new idea.
in the affectionate relationship with three-dimensional 禛 under the auspices of, through time and space, blend and release of the new, make traditional ceramic achieve innovation in the capital of ancient, the leader of the new imperial porcelain design and fire into an unprecedented situation. At the same time, the yongzheng emperor stressed is “isomorphic and extraordinary splendour”, the same ceramics decorated with different glaze and decoration, and every category tend to fire a, only the more expensive the more embodies obvious category, rarely repeat. For example, the famous twelve glaze chrysanthemum petals disc and the melon leng, stressed more than combination, so everything is not the same. This is a great characteristic yongzheng royal porcelain.
now can see the yongzheng official kilns ruyi ears varieties have red, blue and white, blue and white youligong imitation brother glaze, bucket color, east green glaze, light green glaze, lotus, grain has tangled branches sanduo flower fruit grain, Po phase pattern. Each other the same shape, but highly points 23 cm and 26 cm two kinds. These rare curiosa respectively, the Palace Museum in Beijing and Taipei’s Palace Museum, nanjing museum, a few for private collection. With this product for the blue and white category but different grain, see old qing the qing yongzheng Blue and white flower ruyi bottle, now in the Palace Museum, Taipei 26.5 cm high, the painted decoration sums GuYongXuan blue frilled flower pattern, pale and vivid are consistent with the product flavor, see the yongzheng – qing sejong cultural relics exhibition, the national Palace Museum, 2009, p. 207, chart no. II – 33.
in three-dimensional 禛’s aesthetic thoughts, yongzheng imperial porcelain blossom a colorful dazzling new, have to make this better, and still survive, as new! Wish to flexibly bottle, always at best!