| description |
Refer to status reports important auction notice
source
QiuYan (1910-1980), the collection of
sotheby’s in London on December 16, 1980, no. 265
sakamoto five lang (1923-2016) to collect the
sotheby’s in London on June 7, 2000, no. 93
related information sunset purple cui suddenly ChengLan
the small 盌 pleasant color, wall light gwon-chul can jian, a model of purple spot 盌 masterpieces treasures and state. Since the song dynasty, the tang jun porcelain colorful, blue glaze purple is uncommon, but green compose the hit so 盌, annals, private hidden to beat. Multicolor, unique charm, is unprecedented before and after.
under the soft light, this kind of dreamy little 盌 see the soap bubble rising along the mouth, western called “mercifully bowl”, is also appropriate. Holding the 盌, view glaze sky light, greatly want to floating foam, especially on people to proceed accordingly. This 盌 environ, one thousand CLS as before, no doubt, highlights in similar, only one device is hard to find.
jun kiln is prime center masterpieces, ancient jun state, now located in yu county in henan province, from the song dynasty, to Ming or even later. There were plenty of kiln mouth burn jun porcelain production, henan baofeng QingLiangSi your kiln is one of them. Than any other ancient jun song dynasty pa tire lean soil, its shape, plain Jane, hanging glaze thick all depend on it. During the fire, moisture absorbed by the element billet pore in the glaze, firing glaze coat after more profits.
with blue glaze purple jun porcelain, real chance I have to, the super rich layers, is far from the glazing and superposition. Sky blue to the paint, it is visual; Firing glaze layer glass particles, scattering blue light, like the color of aozora. On the blue after dry, pigment, into the kiln to burn on reducing atmosphere, pigment containing copper, can send purple, with pen drawing, so colorful. Copper material secondary oxidation of green space, as shown in example is extremely rare, but are in the form, the inside and outside the 盌 lavender glow over the green spot, rose bright beautiful.
for blue glaze masterpieces of purple varies polymorphism, and hair color like nature itself, is each unit is the only one like you, although cannot control to predict, but add seeking fun, especially when the song dynasty to its preferred to celebrities. Northern song dynasty once, political, social, and economic upheavals, the nation thought, ideology and aesthetic tendency to overthrow the past, for Jane, amiable, natural, and after all previous dynasties under the situation. This 盌 petite, or wine, but abandon virgin material, numerous extravagance and waste, mold, clay’s love, not in finished is symmetrical, but take a transient burst abstraction, having a unique style; People they met, and they looked closely, the meaningful, with its probable, of the profusion all on this.
purple light 盌 masterpieces of the number of such device in the glaze thick is rare. Two rare cases, the lining of thick fragrant purple, purple and clear outer wall. First, the old QiuYan hiding, sotheby’s sale in London in the early December 16, 1980, no. 264, the zhao from yan, storage, resale at sotheby’s Hong Kong on May 19, 1987, no. 209, after contemplation hall in New York, Christie’s released on September 16, 1998, no. 359 (figure 1). Second, the pass is Alfred Schoenlicht old Tibet, who show east ceramics Society “China Without Dragons: Rare Pieces from Oriental Ceramic Society Members”, London, 2016, no. 72, successively sotheby’s sale in London on November 8, 2006, no. 55, and sotheby’s Hong Kong on April 3, 2018, no. 3605 (figure 2).
reference to a similar 盌, accumulation of museum of Beijing the imperial palace, purple is a little thin, blue glaze, pictured in the jun porcelain elegant set: the national Palace Museum collection and the unearthed porcelain masterpieces assemble “, the Palace Museum, Beijing, 2013, 36 chart. Another 盌 smaller, still lay aside the national Palace Museum, also slightly less purple spots on the blue glaze, in the national Palace Museum hidden treasures collected. Two song porcelain (on), Hong Kong, 1996, 222 chart. Purple sparse number of 盌 comparable masterpieces, bowman’s Collection, recorded in John Ayers, “The Baur Collection Geneva: Chinese Ceramics”, Geneva, 1968-74, volume 1, number A 31 and 32 A. Eumorfopoulos old Tibet, London’s Victoria and Albert museum, existing in ke rose, the Song Dynasty Ceramics “, London, 2004, 26 in front of the chart. Dave Sir Treasure also to make the right storage, storage at the British museum, now see stacey pierson, the Song Ceramics: Objects of Admiration “, London, 2003, 20 chart.
the prominent 盌 source, once by the famous Tibetan, who handles QiuYan of figure 3 (1910-1980, right), sakamoto five lang (1923-2016, three left, winner of the last century Chinese art world, two people leave this group photo in the seventy s. Theory of influence Chinese art market, QiuYan whom. Mr Revenge for collectors and the dealer, early work in Shanghai, Hong Kong, after moved to Switzerland to settle down. Mr Enmity with deep knowledge, eye, and strives for perfection, palace often collectors to celebrities, Dave Sir, the Swedish king gustav. Adolf, ataka British Hu Huichun, Barbara. Hutton, etc are the guest, the popular advice; Private collections such as meiyintang, jubao set Jane, formal also played a part.
sakamoto five lang is the antique dealer, managed Asian art nearly seventy years. His personal treasure everything, covering lacquer, porcelain, stone and bronze statues, a few years, Hong Kong su fu is presented, a series of special market effects such as boiling, visible by Mr Sakamoto recursively to hide the origin of all, will be hot. Clark old Tibetan kiln scratching eight arrises 盌 into Mr. Bao, storage in the song dynasty porcelain auction after the third high release (after ru kiln 2, respectively in 2012, sotheby’s sale in Hong Kong in 2017).
“northern song dynasty once, calligraphy and painting, spectacular ceramic just one. A skillful craftsman literati up support, according to its taste, porcelain beauty, for its collection, appreciation and even the daily.” 1
if the mote insights can glimpse into northern song dynasty culture peak, this pa per 盌, with its beautiful hui hua and distinguished, can show a aesthetic recovery ─ ─ advocating civility and nature, although the pioneer, then circulates, then improves fang?
1 mote, imperial China: 900-1800, Cambridge, in 1999, reprint, Cambridge, 2015, pp. 151. |
lostcat