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Source of “the qing emperor kangxi years”
1. Sotheby’s in London, on April 6, 1976, no. 166
2. Xu exhibition hall of old Tibet
3. Christie’s in Hong Kong, November 3, 1996, no. 107 and published
exhibition “hsu galleries. Ceramic article IV. The qing dynasty, the hsu museum of art, 1995, pp. 101
this fold along the arc, the bearing ring foot, make neat, tire body is hard and close, the shape of dignified and steady, weight ratio appropriate, full-bodied white glaze, glaze, renew the pure glaze table deep and implicit natural luster, old embryo glaze combined with careful. Fold along the adornment brocade pattern, dish heart painted lotus lotus kingfishers figure, painted lotus, lotus leaf color elegant, lotus leaf green, grass green, aqua green, and blue color painting is respectively, lotus with red color, black color, kingfisher with black color, Huang Cai and red color, color coordinate, lotus appears pure and fresh and free from vulgarity; Lotus leaf, false or true among the, natural and vivid, stereo sense is strong; Kingfisher dynamic, lifelike, abdomen drawing exaggerated, looked round fullness. Outsole heart double circle blue book “the qing emperor kangxi years” six pairs of travel model charging, green blue and white color is gorgeous, writing is good Juan xiuhe paragraph word, is a standard of kang xi guan kiln.
GengBaoChang in the Ming and qing dynasties porcelain identification mentioned in “the national Palace Museum collection of colorful lotus lotus kingfisher vase with flowers, bloom or images of the confinement of lotus and newborn twigs swaying, such as the cover of leaf was floating on the surface, withered leaf stem volume, and choose the end up lips kingfisher, constitute a beautiful picture of sketch landscape”. Book offprint schematic diagram of a lotus lotus kingfisher grain, is to the national Palace Museum hid a colorful lotus lotus kingfisher figure plate grain traces, grain composition in accordance with this device, recorded in the Ming and qing dynasties porcelain appraisal, the Forbidden City publishing house, two wood press, 1993, pp. 207, can be for reference.
see Beijing’s Palace Museum collection, and this product is almost the same size, grain, suspected the same art craftsmen, recorded in the national Palace Museum hidden treasures series – color. Color bucket “, Wang Liying editor, Shanghai science and technology publishing house, the commercial press (Hong Kong), 1999, pp. 119, 109. The same grain, can refer to the Palace Museum hidden treasures series, colorful. Bucket “, a book, page 88, the figure of 81, the qing emperor kangxi multicoloured Jin Lulian grain PND tail-on honour.
kangxi wucai is famous in history, with its colorful, exquisite painting, is famous for its rich variety, commonly used color material has red, yellow, purple, green, blue, black, etc., the bright red color attune, although alum red colour, but with the likelihood of fructus corni dense vitriol in Ming dynasty red color is different, the color can be separated in depth, more ShiCai have thickness, under the mesoscopic can blink halo of colours; Two-tone Huang Cai like beeswax yellow; If the tomato skin deep purple color, shallow if grapes; Green color is diversiform, common have blackish green, dark green, bitter green, green melon, big green, aqua green, color thick black, mostly glaze renew, luster and soft, like green color tone in Ming dynasty, but without that green flash yellow phenomenon; Deep blue color depth different thick, gorgeous eye-catching; Black CaiQi black light, heavy calm and generally used for contours, or used for transition, local or pieces of picture. Kangxi colorful painting meticulous fine beautiful, vivid, swept away the late Ming dynasty rough style, ShiCai uniformly thin weakness. |
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