The tang dynasty Three-color conference semifinals camel stands resemble
lots informationThe
| – | size | 74 cm high | |
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| work classification | the yuan dynasty before ceramic | s | |
| value | HKD 1500000-2000000 | ||
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| clay unreal – China ancient ceramic | 2018-10-02 | ||
| China international auction co., LTD. | auction | 2018 China Hong Kong autumn auction | |
| Publishing: 1. Hsu museum of art, hsu of Hong Kong museum of art, in 1991, the figure 15 2. “the hsu museum of art, pottery and porcelain (I), the new Stone Age to the liao dynasty”, hsu of Hong Kong museum of art, in 1993, the figure 93 |
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| description | In the silk road, resistance to hunger and thirst, weight of the camel is the main carrier of current article, therefore, also became a three-color craftsmen often performance of the image. They are tenacious, gentle and reliable, tall and stalwart, always manned, or negative, cultural communication in series by them and their owner. The artistic creation of the camel, both for treks through the long silk road, who gets the praises of people and animals, is also open to the big time high carols. this huge quantity, Gao Yu two feet, very rare, and integrity preservation is good, the original local damage and repair, very not easy. Camel head neck, scream, limbs, lithe muscle tone, strewn at random, before and after the four feet step on the plate, seemed to start. Bimodal back stood and set a elliptic carpet. A seat conference semifinals between Yu Shuangfeng, head Dai Hu cap, wearing a brown suit hu, feet, boots, his hands clenched fists hold shape, put low left hand, right hand carried high, seems to hold the REINS traction camels. this sculpture most browns color glaze, camels at the top of head and neck and limbs mane and tail, bimodal ShiBai glaze, carpet with yellow, white, green, three-color ornament, moist glaze light. the whole piece of work with super realistic, sculpture is exquisite technique, skilled, so big work, no deformation, model specifications, form accurate, is a very precious masterpiece of tang dynasty (8th century first half). It is not only a remarkable sculpture, or big exchanges between Chinese and western culture at that time the pomp of the empirical. view this work, it is tempting to be with the famous national museum three-color camels carrying musicians (see “China ceramic corpora, 5, sui and tang dynasties”, pp. 94, 87), especially the camel mane, blankets and other details of the technique of expression. And a special approximate three-color conference semifinals ride a camel in the Palace Museum collection (see the imperial palace ceramics museum, this, pp. 151, 89), both verifiable grade and the year of sale. Source: 1. Hsu of Hong Kong museum of art refer to: |
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source:https://auction.artron.net/paimai-art5133290644/
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