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Ming before Green glaze porcelain pot lotus leaf shape | china porcelain
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Ming before Green glaze porcelain pot lotus leaf shape

Ming before Green glaze porcelain pot lotus leaf shape

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size 19.5 cm long
work classification ceramics single glaze porcelain of Ming dynasty s previous
value RMB 100000-150000
price
  • did not dojo.provide a
special antique curios 2018-07-14
ZhongHongXin international auction co., LTD. auction ZhongHongXin 2018 spring sale
description Introduction: zhejiang region of the kiln is one of the most famous kilns in ancient China. The kiln celadon known in the world. Especially during the boom period of tang and five dynasties, with the xing kiln, the kiln constitutes the “south to north blue white porcelain production pattern, represents the highest level of celadon. And the name of the kiln, the earliest is also found in tang dynasty. Tea in the tea classics, volume, unit of four said: “the bowl, yue state, ding states, WuZhou times, tang-dynasty trio colored glazed, long-lived states, HongZhou times. Or with XingZhou yue state, will not. If the class silver xing kiln, the kiln kind of jade, more than a xing also; If xing porcelain kind of snow, the porcelain ice, wining 2 xing braking; Shikotan xing porcelain and tea, the porcelain green and dark brown, green, the more than three xing also.” During this period, the kiln shape not only rich products, many varieties, technology, and its TaiZhi is exquisite, glaze layer uniform, feel deep moisten, as liu yu “jade class ice”. The kiln is brought to the attention of the court, by timberlake specializing in the production of the kiln tribute “secret color porcelain” in the imperial court. The kiln celadon in tang dynasty, especially the secret color porcelain, deep love poet at that time, many poets describe the beauty of the kiln celadon and singing, such as Liu Guimeng “of the secret color porcelain” : “9 autumn dew of the kiln, won the feng attendants; Good night sheng in hand, altogether Ji releasing bucket cup “. Xu Yin “gong yu secret tea color,” “tear cui melting the qing rui new color, TaoChengXian GongWuJun; Gouge opportunely bright moon dye, feeling very light thin ice green cloud.” Even Japan Meiji period of Japan’s ishikawa hong zhai also wrote a praise poetry yuyao timberlake of the kiln porcelain: “sheng Lin on the kiln, Song She pottery also have house. Collections: who have pheasants mountain, of those long buried in the soil, and the rest of Mr. Shen yao hide a bottle, the glaze jade-like stone setting when she looks blue. He Hou closely Wan Lilai fuso, give up what one favours that maketh my feeling… “Visible,” feng cui color “of the kiln porcelain, not only the deep love of people, more get the favour of people love porcelain, with its unique glamour captured the heart.
the kiln is the love of the world, the most important reason because it is in the long-term development, from the initial material culture function is the practical function of the porcelain wares as the leading factor, to the pursuit of pleasure and interpretation of the aesthetic emotion for the mainstream of decorative function. That is to say, the kiln celadon beyond the purely as a function of daily necessities, and has the special MeiZhi and cultural connotation, on the modeling and decorative items have more elaborate design and innovation. This pot is the typical example of the kiln, the author proceed from cover and body bionics, lotus leaf shape, leaf, as the button; And the button as the heart, carved four radial Ye Maiwen, realistic style, like new after the rain, water embellish you green, Edward Chen, in his YaJing comely. Its TaiZhi close, ShiQing glaze, jade – like stone embellish, to as ice jade. Green is the color of the time. The aesthetic characteristics of contracted ShangQing, “really good happy” exquisite modelling, quiet fair adornment to the as the lotus the plants, with Its unique charm. The Blue, green, deep And remote rhyme through ancient!
refer to: 1. The up with porcelain of China, Lin Shimin, event (a), in 2012, ningbo press;
2. The history of Chinese ceramics, silicate society of China (Ed.), in 1982, The cultural relics publishing house; nullnullnullnullnullnull

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