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Bright green glaze is like guanyin | china porcelain
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Bright green glaze is like guanyin

Bright green glaze is like guanyin

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size 46.5 cm high
work classification ceramics single glaze porcelain of Ming dynasty s clear
value RMB 460000-500000
price
  • RMB 483000
  • HKD 593366
  • USD 72450
  • EUR 53130
the to collect inside beauty – special ancient Chinese ancient jun 2018-06-30
Beijing take international auction co., LTD. auction 2018 spring sale
description Guanyin wearing high corolla, corolla positive show amitabha, surface smooth, wide forehead FengYi, low gathered his eyes, and image and the ears Zeng belt and braids hanging down, breasts and private parts compose wreaths all, adornment is very over-elaborate, perfect ShiYing green white glaze, knot JiaFu earphones, natural, overall modelling perfect, glaze jade-like stone embellish, well-produced.
one of mahayana bodhisattva guanyin is Buddhism, translation, the goddess of mercy, to avoid taizong account speak (cs17), referred to as the “goddess of mercy”. When come to China at the beginning of goddess of mercy, this is male, early Chinese of guanyin statues mostly male image, the so-called “male”. Buddhism said guanyin bodhisattva for wide beings, can be in a variety of image, called “the door” in, so the goddess of mercy can be carved into reflection, also is because of too few women in Buddhism idols. In order to strive for more female believers, and buddhist of guanyin bodhisattva to a “removable nipple” and “plastic surgery”, dress up into a loving and beautiful han women. It should both comply with the specific of her merciful god, and accord with the aesthetic appeal of the Chinese nation, so the number of women in the tang dynasty guanyin statues, more than the Lord of the “three west st” amitabha. Reference:

1 RMB, the capital museum shadow jingdezhen kiln celadon shui yue kwan-yin “the essence of Chinese cultural relics ceremony: ceramic roll” on page 290 no. 405 (1995) : Hong Kong (figure 1)
2, changzhou museum collection, see the essence of cultural relics of the People’s Republic of China no. 16 (1997), Beijing: (figure 2)
3, the Shanghai museum collection, pictured in the China ceramics complete 16: Song Yuanqing white porcelain “, no. 76 (1984) Shanghai:
4 (figure 3), zhejiang quzhou county Shi Shengzu unearthed in the tomb of guanyin, pictured in the song dynasty literary shaoxing: art and cultural exhibition focus, pp. 210-11 Numbers III – 79. 台北:2010
5、《中国出土瓷器全集14:江西卷》编号70(北京:2008)
6、2001年10月于纽约佳士得拍出(拍品106号)
7、北京艺术博物馆藏一尊青白釉阿弥陀佛坐像,图见佳士得《Treasures from Ancient Beijing》展览图录第16页编号7及封面(纽约:2000)
8、上海博物馆藏元代青白釉坐佛,《上海博物馆》第81页编号96(香港:2007)
9、美国堪萨斯城的纳尔逊亚特金斯艺术馆(Nelson-Atkins Museum of Art)藏观音坐像
10、Sherman E. Lee及Wai-kam Ho所著《Chinese Art under the Mongols: The Yüan Dynasty(1279-1368)》编号26(克里夫兰, 1968)
11、苏黎世莱特博格博物馆(Rietberg Museum)珍藏元代青白釉菩萨坐像
12、纽约大都会艺术博物馆藏元代青白釉菩萨坐像高50.8厘米,S.G.Valenstein著作《A Handbook of Chinese Ceramics》第127页编号 120
(纽 约:1975)

the source:https://auction.artron.net/paimai-art0076285030/

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