Ming yongle Sweet dark craft carved flower bowls bound branches
lots of informationThe
| – | size | 20.8 cm in diameter | |
|---|---|---|---|
| work classification | ceramics single glaze porcelain of Ming dynasty | s | Ming yongle |
| value | RMB 1600000-2200000 | ||
| price |
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| daming grumman ancient | 2018-06-20 | ||
| Beijing poly real international auction co., LTD. | auction | Beijing poly real 2018 spring sale | |
| description | Sweet white word appeared in Ming dynasty, the yellow one is by “the things purple beads,” “the sweet white 骔 eye”. Sweet white glazed porcelain is on the basis of the pivot mansion porcelain of yuan dynasty, the Ming dynasty yongle once jingdezhen kilns and burning, in this period jingdezhen kiln porcelain body increases the content of kaolin aluminum and oxygen, so as to improve the whiteness of porcelain glaze itself and penetrability, TaiZhi become white and dense, and avoid the enamel in the white green, make more pure white porcelain, almost no time, give a person with jade-like stone seems to look and feel of the jade. This bowl is the sweet of yongle once typical Bai Qi, exposure, depth of arc wall, ring foot. TaiZhi hard thin, neat fine, whole machine cover sweet white glaze, glaze color soft sweet white clean. Outer wall engraved with very fine lines, mouth along their dark moment meander, bowl of dark hour a week four seasons flower pattern, is like concealed, clear its decorative pattern nature, vivid and fluent, it serves to show the special attainments with knife ghost. As the main varieties of imperial China, the production of white glazed porcelain in the Ming dynasty has never been interrupted, but to yongle, xuande is second in the system is preferred. Seventeen years wanli Wang Shimao “peep up by” said: “the yongle and xuande emperor, nei fire, so far as expensive. When temples to sweet white glazed eyes as often.” Such a clean, jade-like stone but white glazed porcelain are adored emperor yongle, this also is the main reason for the white porcelain was once popular, because of its colour and lustre is pure and moving, is highest in later ages. Mr. this bowl from QiuYan old Tibet, similar product can see Taipei’s Palace Museum collection, white glaze scratching lotus seed large bowl of flowers, description in the early years of the Ming dynasty porcelain exhibition catalogue, figure 58. Also enter Tibet museum of Beijing the imperial palace, Ming yongle sweet white glaze shadow chrysanthemum petals green-splashed bowls, see “Sun Ying chau ceramic world”, page 74, the figure 32, ceramic, grain and similar, comparable. Similar case, The British museum collection in Oriental Ceramics: The World ‘s Great Collections “, volume 5, Tokyo, 1981, 150 chart. Another with this product very, and no money, the description in the Oriental ceramics association, 1948-1949, pp. 25, no. 108. Another meiyintang into Tibet, see the meiyintang China ceramics, Regina krahl, London, 1994-2010, vol. 2, no. 649. Note 1. QiuYan of old Tibet; |
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the source:https://auction.artron.net/paimai-art5127625751/
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lostcat
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