Qing qianlong B imitation stone and poetry, glaze color ink pen container

• RMB 2300000
• HKD 2825553
• USD 345000
• EUR 253000

Hong Kong su fu, 2004.04.25, lot of 58
JiaMu hall (Grace Wu) four collection

this product outer wall drawing such as natural stone shape and orderly, ChangHan like flowing again. Texture gap between wood grain effect of flowing water, like nature itself. In today’s public and private collections, acknowledged the tang kiln autonomous brush pot, scarcity, can flow more, and more defective product phase. Since six years of yongzheng, b in office YuanWaiLang identity section in jingdezhen, assist the du tao officer in huaian NianXiYao kiln processing business, favor fire porcelain, all by NianXiYao family are sample in jingdezhen imperial factory fire. Royal factory huaian premier NianXiYao live close department, every years old only twice during the spring and autumn to jingdezhen tour plant; Assistant manager in factory b for manufacturing fine things in person. Since then, b with qing guanyao DuZao of lifelong career. Yongzheng and qianlong six years, 20 years in b Que tao for 28 years of career, not only for qing dynasty palace fire many wonderful somebody better, at the same time for their needs and gain all kinds of porcelain, which is referred to as “tang kiln private things”.
compared with b other private objects, this product have they do not always have the characteristics of its signature. B is good at using an unofficial personal seal porcelain decoration autonomy, eyeball, with a number and before and after using, as many as dozens of, but there is no specific rule, is, and the “month” and use more “calligraphy”, “month” often as a guide in the first chapter, and “calligraphy” seal before and after the echo. Of more common as “tao zhu”, “tao Que”, “our”, “worm send lay people,” hall “cooper, occasional use” TaoCheng lay people “, “MuZhai rove, but such as” our male “used in this product is tie-in” calligraphy “seal the spiral cases are extremely rare, raised seal, visible one, for the Shanghai museum” Tang Yingqin given the colour MiFei inkstone verse brush pot “, the theme pattern is MiFei, su dongpo grinding ink inkstone of allusions, the margin inscribed running script “dongpo zhen” poetry “jade inkstone jade-like stone however the shang fang, chapter nine heavy kiss give m yuan. Not because of her vomit of mission force, Andrew jade pool to CV 18.” After the agency “shenyang b” four words and “calligraphy” red chapter, at the end of the book alum red colour “qianlong year” four words, in the China ceramics corpora, volume 15, Shanghai, 2000, chart 22, also can be found in the cultural relics, 1989, volume 7, pp. 83-84.