Deer statue of pastel reign of qing emperor guangxu

• auction

Taipei Palace Museum collection one wanli multicoloured deer statue, the device body painted with colorful deer nearly only, no doubt is the later the deer source of grain, but the device for large cylindrical, with the later on the shape of fire is different (see: “cardiac mud unreal”, page 120, chart III – 19). To the qing emperor kangxi once, as the later the deer and the shape of the prototype of deer head gradually popular, is a case of Beijing Summer Palace administration collectors (see: “the essence of the Beijing cultural relics department Ceramic roll (under), p. 181, 174) chart. The deer in the qianlong once daxing, about the deer statue of the written records of the oldest in the qianlong three years of June 25 in the office of the created work, note file “. On the same day, the qianlong emperor issued one hundred and fifty-three pieces of porcelain sample so let b fire, which specifically told: “the color the two ears and one of fire don’t handle all the same.” Qianlong once the pastel of the deer saw a different picture, and the decoration of the ear were also varied, of which kind act the role of alum red colour therefore ear is the most common, such as Shanghai museum collection of a couple (see: “the qing dynasty yongzheng – xuantong kuan” on page 5, chart 1-2). As a generation of famous brand, the first of the deer statue of fire continues to the late qing dynasty republic of China. Capital museum one light the fire, the painters as qianlong, and implement the adornment of the ear is more rich and colorful (see: “the museum, the capital of porcelain”, page 161, chart, 164). And guangxu dynasty fire the deer on the shape of further innovation, deer ears tend to be the first state, such as the case of suzhou museum collections (see: the suzhou museum of China, page 197). And like this product during this period the shape of the imitation of qianlong dynasty to be rare, such guangxu hundreds of deer statue of painters often superior to the former, while for the guangxu dynasty once fired senior antique porcelain, besides this product, can be seen a pair of Chinese early who sold (see: China, November 4, 2001, Lot1218).
see: Yu Peijin: cardiac mud unreal, the national Palace Museum in 2014, page 120, chart III – 19.

the Beijing municipal administration of cultural heritage: the essence of the Beijing cultural relics department Ceramic roll (below), Beijing press, 2004, pp. 181, chart, 174.
lili zhou: “the qing dynasty yongzheng – xuantong kuan”, Shanghai people’s publishing house, 2014, page 5, 1-2 chart.
the capital museum, the museum, the capital of porcelain “, cultural relics publishing house, 1991, pp. 161, 164 chart.
suzhou museum: the suzhou museum of China, the cultural relics publishing house in 2009, p. 197.
China, Nov. 4, 2001, Lot1218.