In the 13th century (Korea) celadon Mosaic okho spring
lots of informationThe
| – | size | 29.5 cm high | |
|---|---|---|---|
| work classification | the yuan dynasty before ceramic | s | in the 13 th century (Chesapeake) |
| value | RMB 300000-500000 | ||
| price |
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| daming grumman ancient | 2017-12-19 | ||
| Beijing poly real international auction co., LTD. | auction | Beijing poly real twelve years of autumn auction | |
| description | Song dynasty quiet old man had to koryo celadon from the following evaluation: “the prison book, wine, guangdong province… In Chesapeake, color… Are second to none, elsewhere is effective, less.” Outspoken koryo celadon is second to none, and the secret color its high evaluation of shocking. While Xu Jing in broadcasting the information FengShi koryo figure, referred to as the “fei color” : “pottery of the color green, the beauty of fei color. In recent years, the production time, colour and lustre is a plus.” Here say “fei color” is specifically to koryo celadon green. Mr Feng Xianming cloud: “koryo celadon is in Tang Yue and song your kiln kiln began to appear and rapidly developed under the influence, regardless of the shape, pattern glaze and the production process to achieve a high level”. But the “fei color” different “color” of Chinese celadon, are peculiar to the koryo celadon green green green, also known as the emerald color porcelain. however, is “fei color” the characteristics of koryo celadon glaze color, second should be inlaid techniques. Mosaic technique in South Korea occupies very important position in the history of ceramic process, this technique since its in the middle of the 12th century, after 13, 14 century, even in the 15th century, powder green ShaQi and white porcelain has been used widely in many process. By Mosaic celadon, is to use white make-up soil or Gao Tiecai after decoration on the tire body, again with a kind of transparent blue glaze the celadon. Concerning the specific process, first, scratching, a seal on the tire body, carved flowers, hand-cut; Second in their impressions, groove, or reduce to fill in the white make – up soil or Gao Tiecai material, etc.; The last to be burnt. Eventually form the overall green under the surface of white or black pattern. The “seal” pattern is very popular in the song dynasty, printed blue glaze decoration is different, the former is to use small decorative pattern stamp on implements ware many print the same pattern. The latter with the objects with large pattern in van a stamping. This both are referred to as printed, but with different characteristics. this product make okho spring form, mouth, long neck, abdomen, ring foot. Qing-bai glaze, glaze with crack open a piece of ice, the shoulder with white make-up soil ACTS the role of a circle of ruyi moire, abdomen with black and white and dichromatic flower grain embedded fold branches. And this product is similar to is a case of a gold Mr Old Tibet abusers (see: sotheby’s Hong Kong, April 6, 2016, lot92), and visible one sold at Christie’s in Hong Kong (see: at Christie’s in Hong Kong, November 29, 2017, lot2986). This Mosaic techniques of decoration highlights the contrast between blue and white, black or black and white and double color, formed a kind of beautiful and pure and fresh adornment effect. Note original Japanese collectors |
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the source:https://auction.artron.net/paimai-art5117006070/
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