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Refer to: the suzhou museum – China, cultural relics publishing house, in July 2009, pp. 47
note: bowl mouth, steep hills, high ring foot, foot within the book “da Ming xuande years” blue and white inscription of regular script. Blue and white to act the role ofing, money kam Wen Yizhou along the inside of the mouth, and the lateral meander to edge, bowl of inner decoration flower flower pattern. Deformation lotus-shaped bowl wall near the foot in vitro with grain, outside wall to give back to the lines. The whole bowl of of primitive simplicity generous shape, glaze color stable, decorative net, delicate, to the best of xuande is the beauty of the blue and white. xuande emperor blue and white porcelain of jingdezhen imperial plant fire with of primitive simplicity, elegant modelling, glittering and translucent and bright glaze, is famous for its colorful grain, compared with the other toward the blue and white porcelain of Ming dynasty, its firing technology has reached the highest peak, become one of China famous brand in our country, its achievement is praised as “opens” of the generation of no. Written in the qing dynasty’s “NaYao notes” praise jintong of blue and white “xuan kiln, a kind of extremely fine elegant of primitive simplicity, materials have a shade, ink potential likes and solemn, blue and white has ooze, iron rust”. Ming Zhang Yingwen are also described in the theory of “clear cache” wares “I declare the temple kiln, the material thickness, faint orange lines, the ice crack eel blood lines, a few against officer, your kiln. The shadow, red, blue and white, all ancient no, for the generation of belly “. this product belongs to the typical example of jintong of blue and white porcelain, the national Palace Museum in Taiwan, one with an example of this product are very similar, included in the official kilns in the Ming dynasty extracts show focus “, the national Palace Museum, Taipei, 1998, no. 157. Another for example, the museum exhibition in the Ming xuande porcelain exhibition, the national Palace Museum, Taipei, 1980, no. 43. Beijing art museum also has a blue and white bowl, a class of the same record in “China ceramics complete works”, Shanghai, 1999-2000, volume 12, 66 chart. Similar xuande 盌, both Major and Lindsay f. Hay old Tibet, sotheby’s in London on June 16, 1939 sold, no. 103, after Lionel Edwards collections, on February 8, 1945 sotheby’s sold in London again, no. 85. Another example from George Eumorfopoulos collection, on May 29, 1940 sotheby’s sold in London, no. 222. |