Qing qianlong bucket colors branch flowers double real talent phoenix ear olive bottle

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in the qianlong dynasty to qing dynasty imperial kiln peak stage, the people of blue pu “jingdezhen TaoLu” records, the yongzheng dynasty that is helping to oversee kiln b continue to host plant, qianlong “capable of soil resistance of arteries and veins, choose the material, made JuJing jade-like stone pure, and imitation of ancient ancient jun ZhuQi shaw, all match; Imitation of various glaze, all coincidence; Extraction workers can, all ChengBei.” B itself not only proficient in fire, but also cultivate the right-hand man old, 60 third person. Qianlong imperial kiln set ceramic art through the ages, bucket color is no exception, broke through in the Ming dynasty for the bucket color more of small plates a bowl of limitations, shape variety, daily, stationeries, display the size of the shape is produced, and the gorgeous, wonderful artical excelling nature. The qianlong bucket colors branch flowers double real talent phoenix ear is olive bottle size larger display type of porcelain, and the shape of elegant and perfect, in the neck and a pair of red paint real talent phoenix ears, such as color vermilion, Jin Caihua colourful, archaize taste. Body adornment also is very heavy and complicated is delicate, colour, bottle under the act the role ofing ruyi yuntou week, draw cloud shoulder shoulder lines and leaf veins, like beauty beautifully embroidered collar, neck and abdomen act the role of tie up lotus flower, hanging qing, design space and ornament, close to ascend a lotus-shaped draw colorful deformation. Whole design full close such as cut and wreaths all heavy and complicated, but the color elegant arrangement is proper, showily. Tie up branch lotus overflow with endless, nickname “Wan Shouteng”, meaning longevity recreation, miles and miles. Hanging qing because of the “qing” homophonic “anniversary”, meaning auspicious auspicious. Orb and lotus petals are the magic weapon of Buddhism, there are a variety of avatar. These auspicious patterns not only detail is good, the use of the technique is also very clever, complex changes in the Ming dynasty bucket colored glaze colorful configuration on the next blue glaze, the glaze on the part of the added powder enamel. “NaYao notes” the said imperial kiln were “more the color a, truly a generation of macroscopic, fine ceramic, to fill in.” Here is so-called “the color” kangxi dynasty reference western burned pastel colored enamel chong, when tasting chenghua dou color special mention “light tracing into kiln five, fine elegant unsurpassed… Today imitators, add the color, particularly bright. “Join powder color material bucket color, soft color more rich, more show elegant bearing. And its brilliant gold ornament, raises the royal noble atmosphere. Zhu Yan” tao said “blessed qianlong imperial up” scale masters, each have yuan… In the discharge of the secret of nature, as with the civilization of Switzerland, has since tao, In jisheng. “Not far off the mark.

[see]” the Palace Museum hidden treasures series, Colorful, bucket color pages, 279, 255 chart.