Qing qianlong famille rose porcelain, like ksitigarbha bodhisattva manjusri bodhisattva
lots of informationThe
– | size | 45 cm high | |
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work classification | ceramic famille rose porcelain in the the qing dynasty | s | the qing qianlong |
value | RMB 200000-400000 | ||
price |
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deserves to ancient porcelain, Jane jas, CV 18 inkstone | 2017-12-13 | ||
guangdong last Ming chongzen auction co., LTD. | auction | 2017 autumn auction | |
description | Description: manjusri bodhisattva is the first in all shakyamuni Buddha bodhisattva disciples, so also known as the prince to manjusri division. Manjusri bodhisattva image is like riding a lion, represents its sharp practice. The buddhist statues twinkle in his eyes, the mouth cape grinned, give a person with kind sense of calm. Left hand holding the vajra bell, on behalf of the wisdom of the Buddha, to the audacity of the lion roar jolt to indulge beings. Face round like ksitigarbha bodhisattva, eyes slightly open, regard sentient beings, straight nose high, shi bold print left hand, right hand came a lotus, comfortable to sit on the effort, vivid and natural. Carry sufficient effort to walk forward, head slightly to the side, seems to be listening to the teachings of bodhisattva, depicting the delicate but full of tension. this as famille rose porcelain statues, forming a complex, fire into hard, its artistic value and make the difficulty on gold copper Buddha statue. Its face the kind of goal, smocking detail performance is as true in an amatuer can, firing technology is complex, is made by the mould shape first, then using the techniques, such as sculpture, to link every link all abnormal need prudent, is the most difficult to control the fire process, nonhuman depth, hands dangling caused by gravity, for example, are often the most easy to fall off or deformation in the late fire. The most so since the Ming dynasty, jingdezhen porcelain, is among those who are not good at porcelain statue, especially complex modelling, exquisite and changeable statue more not pleased by craftsmen, the reason is that after jingdezhen yuan dynasty porcelain clay viscous not strong, easy to deformation, firing rate is very low, the waning of the yuan dynasty was once dedicated sculpture technology. Until the end of the qing dynasty YongGan once the recovery is limited to the royal within a plant, but still cannot eliminate the difficulty, the results more than satisfied. For example qianlong thirteen years Tang Yingceng bearing life fire goddess of mercy, for nothing, emperor qianlong contended b “guanyin how also can not be the fire?” , “don ‘t think b is sincere, with his sincere fire.” the First (see qianlong thirteen years may “the qing dynasty palace office building does the work place file for file”) to b overseers brought royal plant under the level of individual has the clear generation, even so is very hard, not to think about immortals statute of the fire. Source: Important American Furniture, Folk Art, Silver & Chinese Export21-25 January 2010 New York Christie’ s LOT. 460 |
the source:https://auction.artron.net/paimai-art5116101261/
原创文章,作者:lostcat,如若转载,请注明出处:http://culture.ceramicsj.com/2019/02/16/qing-qianlong-famille-rose-porcelain-like-ksitigarbha-bodhisattva-manjusri-bodhisattva/