Qing yongzheng meiyintang collection enamel pastel colored figure bowl “silent spring” letter

• RMB 46000000
• HKD 54245283
• USD 6900000
• EUR 5060000

exhibition “art” in the qing dynasty, the east ceramic institute, 1964, no. 209
“monte trust Collection show,” the British Victoria and Albert museum, 1970, no. 117
“Meiyintang Collection China Ceramics”, the British museum, London, 1994,
“Evolution to Perfection – Chinese Ceramics from the Meiyintang Collection”, Sporting d ‘Hiver, monte carlo, in 1996, no. 183
this article enamel pastel color bowl for our special performance, grain ShuangAn send winter heaven and earth. Bowl straight mouth, arc, the outer wall curve is very soft and beautiful, to the end of adduction, undertake ring foot, bottom of foot tire perfect, fine TaiZhi clean, the outer wall with the plum blossom, south tianzhu, narcissus coloured drawing or pattern, do not provide craftsmanship. Side under the outer wall paint is accompanied by a pair of panda quail, colorful, color in neat showily. Quail, makes the hole in the stone color, texture of the porcelain body painting enamel have obvious don’t in pastel effect, at the bottom of white glaze, blue and white double circle falls in the middle of the qing yongzheng year “six three travel model to come.

this product via the outer wall painted decoration design, landscape type composition picture shu lang is calm, concise concise, its south tianzhu branches stretch, fruitful, narcissus fragrant beauty, billowing flowers posture, compose with the buds on the branches, abundant life. Stone before a pair of foraging quail in the bushes, stunned beak, toe claw feathers are nuanced characterization, the duck’s scene, shape and nice, is the so-called “dredge can cook’s, close not needle”. Combine two quail a prone, static, clearly express the theme of the painting, clever composition of a picture does not seem to be forced to plug, is not empty, create a small world will not be left the love of ease. And in pairs of scenery, there are many blessings, and his wife, brother, father and son this ShuangAn implication.
colored enamel, royal workshop in yangxin temple made of painted porcelain, copper and feeder. Yangxin house adjacent to the imperial residence, facilitate holy procuratorial finished product directly. Kangxi period, European artisans into an audience with the palace, and promote the establishment of the enamel as a new color and research and development, the royal palace as then painted on the white porcelain of jingdezhen firing enamel color material, elaborate imperial porcelain. Workshop near palace art academies, the Chinese and foreign painter was ordered to drawing on the device. Take an examination of the literature, making colored enamel porcelain has three places in Beijing; One for “kai cheung palace” in the imperial palace “ruyi guan”; The other to The old Summer Palace; nullnullnullnullnullnull

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