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Beaming on clear blue bottles | china porcelain
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Beaming on clear blue bottles

Beaming on clear blue bottles

lots of informationThe

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Ming dynasty blue and white porcelain ceramicsCreation

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size 37 cm high
work classification s clear
value RMB 2000000-2600000
price
  • did not dojo.provide a
porcelains and miscellaneous, calligraphy and painting 2017-11-10
Beijing han cheng international auction co., LTD. auction 2017 first auction
inscription: “the qing yongzheng year”
description Source: the original collector
flair:
Sue rose from the China ceramics painting of flowers and decoration – international academic director of Asian art department
this clue on bottles, perfectly illustrates one of the most popular painting subjects Chinese pottery and porcelain in the Ming and qing dynasties: flower and-bird painting. Since the ancient times, Chinese silk scroll and paper painting subjects can be divided into three categories: landscapes, flowers and birds, and figures. Independent flowers early themes associated with buddhist art, but later (especially in the tenth century) flowers about increasingly common. At that time, the combination of the natural realism birds and flowers, also can to see. Sichuan chengdu Huang Quan (around AD 903-965) is made by its “sketching” flower-and-bird paintings. This style is particularly common in the middle of the profession or court painter. Huang Quan formerly palace art academies, the sketch book delineation is to use traditional Chinese realistic painting lines first, then fill with the colour rendering. In contrast, seo hui (A.D. 937-975) was born fruitful cloth, but life its flower-and-bird painting style also utterly different. Who works with larger interpretation of space, the calligraphy calligraphy charm, be called ‘seo hui freehand brushwork, favored by the literati painting. Huang Quan, seo hui are followers, the idyllic scenery of character flourishing since the song dynasty onwards.
but the Li Shuyi analysis, early in the six dynasties (220-589), “painting” flower “, “bird” has been adopted one.” Related discussion please see Li Shi paper , the full text in Sue rose (Rosemary Scott) and we’ve utt co-editor of “the Style in the East Asian Tradition – Colloquies on Art and Archaeology in Asia, No. 14”, London, 1987, 103. Li Shi points out, although the works handed down from ancient times is like a few less, but the historical data at least mentioned the two jin dynasty (A.D. 265-420) of flowers and birds painter; nullnullnullnullnullnull

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