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Qing jiaqing eight auspicious grain powder enamel bowl (a) | china porcelain
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Qing jiaqing eight auspicious grain powder enamel bowl (a)

Qing jiaqing eight auspicious grain powder enamel bowl (a)

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size 10.5 cm in diameter
work classification ceramic famille rose porcelain in the the qing dynasty s
value RMB 400000-500000
price
  • auction
lingering fragrance set – special antique curios 2017-11-25
through huayi international auction co., LTD. auction 2017 autumn auction
Description:
1.1995 years xu exhibition hall “hsu China ceramic art museum” IV. P181
2. The At Christie ‘s in Hong Kong on November 5, 1997, “the contemplation hall” special LOT.
3. 880 At Christie’ s in Hong Kong in May 2008 LOT. 1778
“the qing jiaqing years” blue and white com.lowagie.text.paragraph three lines: the seal character
description To bowl body mouth, deep abdomen, ring foot. Modelling show practive, thin thin, glaze juice embellish clean. At the bottom of the bowl of outside wall act the role ofing to grain, for the best lines, body painting enamel auspicious patterns, the order is round, snail, umbrella, cap, flowers, a bottle, fish, long, ribbons, xiangyun surrounded around jeweler, an auspicious image. All light fair, elegant atmosphere, decorative beauty, painting work fine, the play ACTS the role of grain characteristics of rendering techniques, hair colour is pure and fresh and gorgeous, colour collocation elegant and harmonious, to a person present fine show showily gas, is a light in the famille rose porcelain “. In pairs, the original cover lost, very rare.
eight auspicious, commonly known as “sweet”, is the symbol of the power of Buddhism eight object, including Aquarius, Pisces, lotus, cover, screw, plate length, umbrella, dharma eight kind of design, considered a lucky, good vision. This pattern is introduced into, from the Tibetan lamaism beginning in yuan dynasty, Ming and qing dynasties since many utensils to use, with different implications. “Vase” is one of the common feeding vessels of Buddhism, amitayus handheld object, so the symbol for soul not die; “Cover” treasure and white Cover, the describe the dharma as which canopy, through the boundless universe, pratt & Whitney beings; “Pisces” is also called the goldfish, the symbol of Buddhism beyond the world, free vast; “Lotus” is one of the most common flowers and decorative in Buddhism, symbol can jump all trouble and evil, thus being together; “Treasure screw” also called “brahman”, metaphor of the Buddha, just like the screw sound spread widely. “Pan long” also known as the auspicious knot, with cyclotron coiling and continuous, the symbol of Buddhism and endless serial implementation, containing the immortality of the eternal fancy; “Treasure” umbrella yu dharma propagation relaxation running freely, well versed in the clear. Jinlun or as a “falun” Po lun, mighty symbol dharma is satisfactory, circle round of rotation is to hardened.
the eight auspicious grain powder enamel tureen and burn in the dynasty qianlong (see the Ming and qing dynasties porcelain appraisal, the Forbidden City publishing house, 1993, pp. 318, 533), after each dynasty has the fire, is typical of the qing dynasty imperial porcelain palace style, the existing 109 red porcelain of the Palace Museum, which has varieties of this pattern.

see: “palace treasures: the Chinese qing dynasty imperial porcelain”, nanjing museum, Shanghai culture press, 2003, pp. 303
“hsu galleries: ceramic IV”, in 1995, the figure 181
the bureaucratic imperial porcelain – the national Palace Museum hid in the qing dynasty porcelain making red tape and the imperial kiln chinaware, the Forbidden City publishing house, 2007, pp. 64, figure 6

the source:https://auction.artron.net/paimai-art5114631164/

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