Qing qianlong cream-colored powder enamel on jingshan water lines lantern
lots of informationThe
| – | size | 24 cm high | |
|---|---|---|---|
| work classification | ceramic famille rose porcelain in the the qing dynasty | s | the qing qianlong |
| value | RMB 2000000-3000000 | ||
| price |
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| lingering fragrance set – special antique curios | 2017-11-25 | ||
| through huayi international auction co., LTD. | auction | 2017 autumn auction | |
| Description: London Christie ‘s | |||
| “qianlong year” two lines of four words seal character style | |||
| description | Lantern bottle, a burning in the yongzheng official kiln, sheng in the qianlong period, named after the deep seemingly long round shape lanterns. Qian long lantern making more, common varieties are blue and white jun, youligong, pastel, furnace, etc., the works handed down from ancient times to youligong FeiFeng wear flowers, colorful flowers, butterflies, carmine color and grain, etc. Is preferred. This is the case. tiny bottle mouth, short neck, abundant shoulder, drum abdomen, ring foot, as a typical style of lantern. Full-bodied with cream-colored glaze floor and made all kinds of powder enamel, theme landscape character figure painting. Mountains inclusive, wide, houses in bamboo, or white water rafting on the landscape characters, those quiet zhiyuan, grinding is the traditional Chinese painting of the pen. Draw staggered on the foot wall in green peach grain and grain.. This medallion decoration color, color bright, primary and secondary distinct, color to color, decoration and pattern within the medallion is rich and colorful, in qianlong official kilns is relatively rare, and was inherited by jia dao guan kiln, far-reaching influence. This product modelling and gentle, beige, bright and elegant, landscape painting and quiet indifferent, fully embodies the qianlong imperial decoration style, honesty is a representative of the ChengShiCai porcelain. Nanjing museum has qianlong dynasty similar objects. the bottom color with red book “qianlong year” four words the seal character, the word “dry” the book is different from the usual font strokes. Throughout the public and private hidden today, any agency by qianlong imperial years writing is different from the traditional writing specifications of the works, is possible for “tang kiln”. In the history of Chinese ceramics, “tang kiln” is not always being ignored, it implements the complexity of cunning, glaze color is complete, exquisite craftsmanship of all individual with qing dynasty. “Tang kiln” in the qing dynasty yongzheng, qianlong dynasty Tang Yingren jingdezhen du tao guan kilns. The draft history of qing Tang Yingchuan “load” the British had made, he tang kiln “. refer to: the royal treasure – qing dynasty imperial porcelain in China “on page 320, nanjing museum, Shanghai culture press, 2003. |
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the source:https://auction.artron.net/paimai-art5114631161/
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lostcat
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